J R R Tolkien Quotes

“Many that live deserve death. And some that die deserve life. Can you give it to them? Then do not be too eager to deal out death in judgement.”
― J.R.R. Tolkien, The Fellowship of the Ring

“It is no bad thing to celebrate a simple life.”
― J.R.R Tolkien

“When people dis fantasy—mainstream readers and SF readers alike—they are almost always talking about one sub-genre of fantastic literature. They are talking about Tolkien, and Tolkien's innumerable heirs. Call it 'epic', or 'high', or 'genre' fantasy, this is what fantasy has come to mean. Which is misleading as well as unfortunate.

Tolkien is the wen on the arse of fantasy literature. His oeuvre is massive and contagious—you can't ignore it, so don't even try. The best you can do is consciously try to lance the boil. And there's a lot to dislike—his cod-Wagnerian pomposity, his boys-own-adventure glorying in war, his small-minded and reactionary love for hierarchical status-quos, his belief in absolute morality that blurs moral and political complexity. Tolkien's clichés—elves 'n' dwarfs 'n' magic rings—have spread like viruses. He wrote that the function of fantasy was 'consolation', thereby making it an article of policy that a fantasy writer should mollycoddle the reader.

That is a revolting idea, and one, thankfully, that plenty of fantasists have ignored. From the Surrealists through the pulps—via Mervyn Peake and Mikhael Bulgakov and Stefan Grabiński and Bruno Schulz and Michael Moorcock and M. John Harrison and I could go on—the best writers have used the fantastic aesthetic precisely to challenge, to alienate, to subvert and undermine expectations.

Of course I'm not saying that any fan of Tolkien is no friend of mine—that would cut my social circle considerably. Nor would I claim that it's impossible to write a good fantasy book with elves and dwarfs in it—Michael Swanwick's superb Iron Dragon's Daughter gives the lie to that. But given that the pleasure of fantasy is supposed to be in its limitless creativity, why not try to come up with some different themes, as well as unconventional monsters? Why not use fantasy to challenge social and aesthetic lies?

Thankfully, the alternative tradition of fantasy has never died. And it's getting stronger. Chris Wooding, Michael Swanwick, Mary Gentle, Paul di Filippo, Jeff VanderMeer, and many others, are all producing works based on fantasy's radicalism. Where traditional fantasy has been rural and bucolic, this is often urban, and frequently brutal. Characters are more than cardboard cutouts, and they're not defined by race or sex. Things are gritty and tricky, just as in real life. This is fantasy not as comfort-food, but as challenge.

The critic Gabe Chouinard has said that we're entering a new period, a renaissance in the creative radicalism of fantasy that hasn't been seen since the New Wave of the sixties and seventies, and in echo of which he has christened the Next Wave. I don't know if he's right, but I'm excited. This is a radical literature. It's the literature we most deserve.”
― China Miéville

“I admire Tolkien greatly. His books had enormous influence on me. And the trope that he sort of established—the idea of the Dark Lord and his Evil Minions—in the hands of lesser writers over the years and decades has not served the genre well. It has been beaten to death. The battle of good and evil is a great subject for any book and certainly for a fantasy book, but I think ultimately the battle between good and evil is weighed within the individual human heart and not necessarily between an army of people dressed in white and an army of people dressed in black. When I look at the world, I see that most real living breathing human beings are grey.”
― George R.R. Martin

“You must understand, young Hobbit, it takes a long time to say anything in Old Entish. And we never say anything unless it is worth taking a long time to say.”
― J.R.R. Tolkien, The Two Towers

“When evening in the Shire was grey
his footsteps on the Hill were heard;
before the dawn he went away
on journey long without a word.

From Wilderland to Western shore,
from northern waste to southern hill,
through dragon-lair and hidden door
and darkling woods he walked at will.

With Dwarf and Hobbit, Elves and Men,
with mortal and immortal folk,
with bird on bough and beast in den,
in their own secret tongues he spoke.

A deadly sword, a healing hand,
a back that bent beneath its load;
a trumpet-voice, a burning brand,
a weary pilgrim on the road.

A lord of wisdom throned he sat,
swift in anger, quick to laugh;
an old man in a battered hat
who leaned upon a thorny staff.

He stood upon the bridge alone
and Fire and Shadow both defied;
his staff was broken on the stone,
in Khazad-dûm his wisdom died.”
― J.R.R. Tolkien, The Fellowship of the Ring

“Human stories are practically always about one thing, really, aren't they? Death. The inevitability of death. . .
. . . (quoting an obituary) 'There is no such thing as a natural death. Nothing that ever happens to man is natural, since his presence calls the whole world into question. All men must die, but for every man his death is an accident, and even if he knows it he would sense to it an unjustifiable violation.' Well, you may agree with the words or not, but those are the key spring of The Lord Of The Rings”
― J.R.R. Tolkien

“Hinder me? Thou fool. No living man may hinder me!"
Then Merry heard in all sounds of the hour the strangest. It seemed that Dernhelm laughed, and the clear voice was like the ring of steel.
"But no living man am I! You are looking upon a woman. Eowyn am I, Eomund's daughter. You stand between me and my lord and kin. Begone, if you be not deathless! For living or dark undead, I will smite you, if you touch him."
The winged creature screamed at her, but then the Ringwraith was silent, as if in sudden doubt. Very amazement for a moment conquered Merry's fear. He opened his eyes and the blackness was lifted from them. There some paces from him sat the great beast, and all seemed dark about it, and above it loomed the Nazgul Lord like a shadow of despair. A little to the left facing them stood whom he had called Dernhelm. But the helm of her secrecy had fallen from her, and and her bright hair, released from its bonds, gleamed with pale gold upon her shoulders. Her eyes grey as the sea were hard and fell, and yet tears gleamed in them. A sword was in her hand, and she raised her shield against the horror of her enemy's eyes.”
― J.R.R. Tolkien, The Return of the King

“It must often be so, Sam, when things are in danger: some one has to give them up, lose them, so that others may keep them.”
― J.R.R. Tolkien, The Return of the King

“He thought much but said little.”
― J.R.R. Tolkien, The Hobbit, or There and Back Again

“And what do you wish?' he said at last.
'That what should be shall be,' she answered.”
― J.R.R. Tolkien, The Fellowship of the Ring

“Then she fell on her knees, saying: 'I beg thee!'
'Nay, lady,' he said, and taking her by the hand he raised her. The he kissed her hand, and sprang into the saddle, and rode away, and did not look back; and only those who knew him well and were near to him saw the pain that he bore.”
― J.R.R. Tolkien, The Return of the King

“Frodo: I can't recall the taste of food, nor the sound of water, nor the touch of grass. I'm naked in the dark. There's nothing--no veil between me and the wheel of fire. I can see him with my waking eyes.

Sam: Then let us be rid of it, once and for all. I can't carry the ring for you, but I can carry you! Comeon!”
― J.R.R. Tolkien

“Then Aragorn stooped and looked in her face, and it was indeed white as a lily, cold as frost, and hard as graven stone. But he bent and kissed her on the brow, and called her softly, saying:
'Éowyn Éomund's daughter, awake! For your enemy has passed away!”
― J.R.R. Tolkien, The Return of the King

“Sam: Mordor. The one place in Middle-earth we don't want to see any closer, and the one place we're trying to get to. It's just where we can't get. Let's face it, Mr. Frodo, we're lost. I don't think Gandalf meant for us to come this way.
Frodo: He didn't mean for a lot of things to happen, Sam... but they did.”
― J.R.R. Tolkien

“At last Frodo spoke with hesitation. 'I believed that you were a friend before the letter came,' he said, 'or at least I wished to. You have frightened me several times tonight, but never in the way the servants of the Enemy would, or so I imagine. I think one of his spies would - well, seem fairer and feel fouler, if you understand”
― J.R.R. Tolkien

“I have more need of thought than of sleep.”
― J.R.R. Tolkien, The Two Towers

“Faith then they vowed
Fast, unyielding,
There each to each
In oaths binding.
Bliss there was born
When Brynhild woke;
Yet fate is strong
To find its end.”
― J.R.R. Tolkien, The Legend of Sigurd & Gudrún

“You are wise and fearless and fair, Lady Galadriel,' said Frodo. 'I will give you the One Ring, if you ask for it. It is too great a matter for me”
― J.R.R. Tolkien, The Fellowship of the Ring

“in her hand she held a harp, and she sang. Sad and sweet was the sound of her voice in the cool clear air.”
― J.R.R. Tolkien, The Fellowship of the Ring

“What did I tell you? Something's happening!' cried Sam. '"The war's going well," said Shagrat; but Gorbag he wasn't so sure. And he was right there too. Things are looking up, Mr. Frodo. haven't you got some hope now?'

'Well, no, not much, Sam,' Frodo sighed. 'That's away beyond the mountains. We're going east not west. And I'm so tired. And the Ring is so heavy, Sam. And I begin to see it in my mind all the time, like a great wheel of fire.”
― J.R.R. Tolkien, The Return of the King

“The trees and the grasses and all things growing or living in the land belong each ro themselves.”
― J.R.R. Tolkien, The Fellowship of the Ring

“What has it got in its pocketses?" The sound came hissing louder and sharper, and as he looked towards it, to his alarm Bilbo now saw two small points of light peering at him. As suspicion grew in Gollum's mind, the light of his eyes burnt with a pale flame.”
― J R R Tolkien, The Hobbit (Part 1 and 2) Collection 2 Books Set

“This is surely the most significant of the elements that Tolkien brought to fantasy.... his arranged marriage between the Elder Edda and "The Wind in the Willows"--big Icelandic romance and small-scale, cozy English children's book. The story told by "The Lord of the Rings" is essentially what would happen if Mole and Ratty got drafted into the Nibelungenlied.”
― Adam Gopnik

“Pippin: I didn't think it would end this way.

Gandalf: End? No, the journey doesn't end here. Death is just another path, one that we all must take. The grey rain-curtain of this world rolls back, and all turns to silver glass, and then you see it.

Pippin: What? Gandalf? See what?

Gandalf: White shores, and beyond, a far green country under a swift sunrise.

Pippin:: Well, that isn't so bad.

Gandalf: No. No, it isn't.”
― J.R.R. Tolkien, The Lord of the Rings: The Return of the King: Book 3

“Living by faith includes the call to something greater than cowardly self-preservation. It is the invitation to water the seed of courage found deep within your heart.

Kurt Bruner’s and Jim Ware’s book from 2006, Finding God in the Lord of the Rings.”
― Kurt Bruner

“It was a terrible battle. The most dreadful of all Bilbo's experiences, and the one which at the time he hated most -- which is to say it was the one he was most proud of, and most fond of recalling long afterwards, although he was quite unimportant in it.”
― J.R.R. Tolkien, The Hobbit

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