Jonathan Swift Quotes

“There are certain common privileges of a writer, the benefit whereof I
hope there will be no reason to doubt; particularly, that where I am not
understood, it shall be concluded that something very useful and profound
is couched underneath; and again, that whatever word or sentence
is printed in a different character shall be judged to contain something
extraordinary either of wit or sublime.”
― Jonathan Swift, A Tale of a Tub

“Jonathan Swift made a soul for the gentlemen of this city by hating his neighbor as himself.”
― W.B. Yeats, Selected Poems and Four Plays

“He asked me, "what were the usual causes or motives that made one country go to war with another?" I answered "they were innumerable; but I should only mention a few of the chief. Sometimes the ambition of princes, who never think they have land or people enough to govern; sometimes the corruption of ministers, who engage their master in a war, in order to stifle or divert the clamour of the subjects against their evil administration. Difference in opinions has cost many millions of lives: for instance, whether flesh be bread, or bread be flesh; whether the juice of a certain berry be blood or wine; whether whistling be a vice or a virtue; whether it be better to kiss a post, or throw it into the fire: what is the best colour for a coat, whether black, white, red, or gray: and whether it should be long or short, narrow or wide, dirty or clean; with many more. Neither are any wars so furious and bloody, or of so long a continuance, especially if it be in things indifferent.”
― Jonathan Swift

“Herkes uzun yaşamak ister ama kimse yaşlanmak istemez.”
― Jonathan Swift

“Tonight, however, Dickens struck him in a different light. Beneath the author’s sentimental pity for the weak and helpless, he could discern a revolting pleasure in cruelty and suffering, while the grotesque figures of the people in Cruikshank’s illustrations revealed too clearly the hideous distortions of their souls. What had seemed humorous now appeared diabolic, and in disgust at these two favourites he turned to Walter Pater for the repose and dignity of a classic spirit.

But presently he wondered if this spirit were not in itself of a marble quality, frigid and lifeless, contrary to the purpose of nature. ‘I have often thought’, he said to himself, ‘that there is something evil in the austere worship of beauty for its own sake.’ He had never thought so before, but he liked to think that this impulse of fancy was the result of mature consideration, and with this satisfaction he composed himself for sleep.

He woke two or three times in the night, an unusual occurrence, but he was glad of it, for each time he had been dreaming horribly of these blameless Victorian works…

It turned out to be the Boy’s Gulliver’s Travels that Granny had given him, and Dicky had at last to explain his rage with the devil who wrote it to show that men were worse than beasts and the human race a washout. A boy who never had good school reports had no right to be so morbidly sensitive as to penetrate to the underlying cynicism of Swift’s delightful fable, and that moreover in the bright and carefully expurgated edition they bring out nowadays. Mr Corbett could not say he had ever noticed the cynicism himself, though he knew from the critical books it must be there, and with some annoyance he advised his son to take out a nice bright modern boy’s adventure story that could not depress anybody.

Mr Corbett soon found that he too was ‘off reading’. Every new book seemed to him weak, tasteless and insipid; while his old and familiar books were depressing or even, in some obscure way, disgusting. Authors must all be filthy-minded; they probably wrote what they dared not express in their lives. Stevenson had said that literature was a morbid secretion; he read Stevenson again to discover his peculiar morbidity, and detected in his essays a self-pity masquerading as courage, and in Treasure Island an invalid’s sickly attraction to brutality.

This gave him a zest to find out what he disliked so much, and his taste for reading revived as he explored with relish the hidden infirmities of minds that had been valued by fools as great and noble. He saw Jane Austen and Charlotte Brontë as two unpleasant examples of spinsterhood; the one as a prying, sub-acid busybody in everyone else’s flirtations, the other as a raving, craving maenad seeking self-immolation on the altar of her frustrated passions. He compared Wordsworth’s love of nature to the monstrous egoism of an ancient bellwether, isolated from the flock.”
― Margaret Irwin, Bloodstock and Other Stories

“Roland: We are very little creatures: all of us have different features. One of us in glass is set; one of us you'll find in jet. Another you may see in tin, and a fourth is boxed within. If the fifth should you pursue, it can never fly from you. What are we?

Blaine: A AND E AND I AND O AND U. THE VOWELS OF THE HIGH SPEECH. ALTHOUGH THAT PARTICULAR RIDDLE IS NOT FROM YOUR TEACHER, ROLAND OF GILEAD; I KNOW IT FROM JONATHAN SWIFT OF LONDON--A CITY IN THE WORLD YOUR FRIENDS COME FROM.”
― Stephen King, Wizard and Glass

“He [Jonathan Swift] was a great man, and yet he was partially blind. He could only see one thing at a time. His vision of human society is so penetrating, and yet in the last analysis it's false. He couldn't see what the simplest person sees, that life is worth living and human beings, even if they're dirty and ridiculous, are mostly decent. But after all, if he could have seen that I suppose he couldn't have written Gulliver's Travels.”
― George Orwell, Seeing Things As They Are: Selected Journalism and Other Writings