Particularity Quotes

Quotes tagged as "particularity" Showing 1-5 of 5
Erik Pevernagie
“While we are threading our way through the vagaries of life, our shortage of reciprocity and solidarity may corner us into breaches of culpability. We can eschew this and kindle a dream of universalism that does not impose itself but emerges from the world's numerous cultural and topical particularities and enable us to compare, discern, and identify, allowing us to marvel at the diversity. In this way, we can embrace universal recognition, human understanding, peace of mind, and compassion with others and with ourselves. ("I only needed a light ")”
Erik Pevernagie

“Particularity leads to peculiarity and then to pathological behavior. The three Ps. It is very insidious. You would eventually end up in a box. If you try to control your environment, it will control you. And everyone else around you will always have to be making adjustments to your maddening idiosyncracies...You are beginning to enslave yourself with your fussiness.”
Susan Trott

Bryant McGill
“The more one has engaged in a particular pattern of thought, the more difficult it becomes to override these habitual patterns.”
Bryant McGill, Simple Reminders: Inspiration for Living Your Best Life

Alain Badiou
“When one abdicates universality, one obtains universal horror.”
Alain Badiou, Theory of the Subject

Arnold Hauser
“Naturalism is not a homogeneous, clear-cut conception of art, always based on the same idea of nature, but changes with the times, concerned with a concrete task and confining its interpretation of life to particular phenomena. One professes a belief in naturalism, not because one consider a naturalistic representation more artistic a prior than a stylizing, but because one discovers a trait, a tendency in reality on which one would like to put more emphasis, which one would either to promote or fight against. Such a discovery is not itself the result of naturalistic observation, on the contrary, the interest in naturalism is the result of such a discovery. The 1830 generation begins its literary career with the recognition that the structure of society has completely changed; partly it accepts, partly opposes this change, but, in any case, it reacts to it in an extremely activism fashion and it naturalistic approach is derived from this activism. Naturalism is not aimed at reality as a whole, not at "nature" or "life" in general, but at social life in particular, that is, at that province of reality which has become specially important for this generation.”
Arnold Hauser, The Social History of Art: Volume 4: Naturalism, Impressionism, The Film Age