Wwi Quotes
Quotes tagged as "wwi"
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“If you can walk with the crowd and keep your virtue, or walk with Kings-nor lose the common touch; If neither foes nor loving friends can hurt you; If all men count with you, but none too much; If you can fill the unforgiving minute with 60 seconds worth of distance run- Yours is the earth and everything that's in it, And-which is more-you'll be a man my son.”
― If: A Father's Advice to His Son
― If: A Father's Advice to His Son

“Nothing so comforts the military mind as the maxim of a great but dead general.”
― The Guns of August
― The Guns of August

“This book is not about heroes. English poetry is not yet fit to speak of them. Nor is it about deeds, or lands, nor anything about glory, honour, might, majesty, dominion, or power, except War. Above all I am not concerned with Poetry. My subject is War, and the pity of War. The Poetry is in the pity.”
― The Poems of Wilfred Owen
― The Poems of Wilfred Owen

“World War I was the most colossal, murderous, mismanaged butchery that has ever taken place on earth. Any writer who said otherwise lied, So the writers either wrote propaganda, shut up, or fought.”
―
―

“We had come from lecture halls, school desks and factory workbenches, and over the brief weeks of training, we had bonded together into one large and enthusiastic group. Grown up in an age of security, we shared a yearning for danger, for the experience of the extraordinary. We were enraptured by war.”
― Storm of Steel
― Storm of Steel

“We know only that in some strange and melancholy way we have become a waste land. All the same, we are not often sad.”
― All Quiet on the Western Front
― All Quiet on the Western Front

“... We had suddenly learned to see. And we saw that there was nothing of their world left. We were all at once terribly alone; and alone we must see it through.”
― All Quiet on the Western Front
― All Quiet on the Western Front

“In the Somme valley, the back of language broke. It could no longer carry its former meanings. World War I changed the life of words and images in art, radically and forever. It brought our culture into the age of mass-produced, industrialized death. This, at first, was indescribable.”
― The Shock of the New
― The Shock of the New

“I wish those people who write so glibly about this being a holy War, and the orators who talk so much about going on no matter how long the War lasts and what it may mean, could see a case--to say nothing of 10 cases--of mustard gas in its early stages--could see the poor things burnt and blistered all over with great mustard-coloured suppurating blisters, with blind eyes--sometimes temporally, sometimes permanently--all sticky and stuck together, and always fighting for breath, with voices a mere whisper, saying that their throats are closing and they know they will choke.”
―
―

“Mute in that golden silence hung with green,
Come down from heaven and bring me in your eyes
Remembrance of all beauty that has been,
And stillness from the pools of Paradise.
”
― Counter-Attack and Other Poems
Come down from heaven and bring me in your eyes
Remembrance of all beauty that has been,
And stillness from the pools of Paradise.
”
― Counter-Attack and Other Poems

“But the old man would not so, but slew his son,
And half the seed of Europe, one by one.”
― The War Poems
And half the seed of Europe, one by one.”
― The War Poems

“(On WWI:)
A man of importance had been shot at a place I could not pronounce in Swahili or in English, and, because of this shooting, whole countries were at war. It seemed a laborious method of retribution, but that was the way it was being done. ...
A messenger came to the farm with a story to tell. It was not a story that meant much as stories went in those days. It was about how the war progressed in German East Africa and about a tall young man who was killed in it. ... It was an ordinary story, but Kibii and I, who knew him well, thought there was no story like it, or one as sad, and we think so now.
The young man tied his shuka on his shoulder one day and took his shield and his spear and went to war. He thought war was made of spears and shields and courage, and he brought them all.
But they gave him a gun, so he left the spear and the shield behind him and took the courage, and went where they sent him because they said this was his duty and he believed in duty. ...
He took the gun and held it the way they had told him to hold it, and walked where they told him to walk, smiling a little and looking for another man to fight.
He was shot and killed by the other man, who also believed in duty, and he was buried where he fell. It was so simple and so unimportant.
But of course it meant something to Kibii and me, because the tall young man was Kibii's father and my most special friend. Arab Maina died on the field of action in the service of the King. But some said it was because he had forsaken his spear.”
― West with the Night
A man of importance had been shot at a place I could not pronounce in Swahili or in English, and, because of this shooting, whole countries were at war. It seemed a laborious method of retribution, but that was the way it was being done. ...
A messenger came to the farm with a story to tell. It was not a story that meant much as stories went in those days. It was about how the war progressed in German East Africa and about a tall young man who was killed in it. ... It was an ordinary story, but Kibii and I, who knew him well, thought there was no story like it, or one as sad, and we think so now.
The young man tied his shuka on his shoulder one day and took his shield and his spear and went to war. He thought war was made of spears and shields and courage, and he brought them all.
But they gave him a gun, so he left the spear and the shield behind him and took the courage, and went where they sent him because they said this was his duty and he believed in duty. ...
He took the gun and held it the way they had told him to hold it, and walked where they told him to walk, smiling a little and looking for another man to fight.
He was shot and killed by the other man, who also believed in duty, and he was buried where he fell. It was so simple and so unimportant.
But of course it meant something to Kibii and me, because the tall young man was Kibii's father and my most special friend. Arab Maina died on the field of action in the service of the King. But some said it was because he had forsaken his spear.”
― West with the Night

“When the war (WWI) finally ended it was necessary for both sides to maintain, indeed even to inflate, the myth of sacrifice so that the whole affair would not be seen for what it was: a meaningless waste of millions of lives. Logically, if the flower of youth had been cut down in Flanders, the survivors were not the flower: the dead were superior to the traumatized living. In this way, the virtual destruction of a generation further increased the distance between the old and the young, between the official and the unofficial.”
― The Shock of the New
― The Shock of the New

“I keep such music in my brain
No din this side of death can quell;
Glory exulting over pain,
And beauty, garlanded in hell.”
―
No din this side of death can quell;
Glory exulting over pain,
And beauty, garlanded in hell.”
―

“William Stoner entered the University of Missouri as a freshman in the year 1910, at the age of nineteen. Eight years later, during the height of World War I, he received his Doctor of Philosophy degree and accepted an instructorship at the same University, where he taught until his death in 1956. He did not rise above the rank of assistant professor, and few students remembered him with any sharpness after they had taken his courses. When he died his colleagues made a memorial contribution of a medieval manuscript to the University library. This manuscript may still be found in the Rare Books Collection, bearing the inscription: 'Presented to the Library of the University of Missouri, in memory of William Stoner, Department of English. By his colleagues.'
An occasional student who comes upon the name may wonder idly who William Stoner was, but he seldom pursues his curiosity beyond a casual questions. Stoner's colleagues, who held him in no particular esteem when he was alive, speak of him rarely now; to the older ones, his name is a reminder of the end that awaits them all, and to the younger ones it is merely a sound which evokes no sense of the past and no identity with which they can associate themselves or their careers.”
― Stoner
An occasional student who comes upon the name may wonder idly who William Stoner was, but he seldom pursues his curiosity beyond a casual questions. Stoner's colleagues, who held him in no particular esteem when he was alive, speak of him rarely now; to the older ones, his name is a reminder of the end that awaits them all, and to the younger ones it is merely a sound which evokes no sense of the past and no identity with which they can associate themselves or their careers.”
― Stoner

“Those long uneven lines
Standing as patiently
As if they were stretched outside
The Oval or Villa Park,
The crowns of hats, the sun
On moustached archaic faces
Grinning as if it were all
An August Bank Holiday lark;
And the shut shops, the bleached
Established names on the sunblinds,
The farthings and sovereigns,
And dark-clothed children at play
Called after kings and queens,
The tin advertisements
For cocoa and twist, and the pubs
Wide open all day--
And the countryside not caring:
The place names all hazed over
With flowering grasses, and fields
Shadowing Domesday lines
Under wheat's restless silence;
The differently-dressed servants
With tiny rooms in huge houses,
The dust behind limousines;
Never such innocence,
Never before or since,
As changed itself to past
Without a word--the men
Leaving the gardens tidy,
The thousands of marriages,
Lasting a little while longer:
Never such innocence again.
- MCMXIV”
―
Standing as patiently
As if they were stretched outside
The Oval or Villa Park,
The crowns of hats, the sun
On moustached archaic faces
Grinning as if it were all
An August Bank Holiday lark;
And the shut shops, the bleached
Established names on the sunblinds,
The farthings and sovereigns,
And dark-clothed children at play
Called after kings and queens,
The tin advertisements
For cocoa and twist, and the pubs
Wide open all day--
And the countryside not caring:
The place names all hazed over
With flowering grasses, and fields
Shadowing Domesday lines
Under wheat's restless silence;
The differently-dressed servants
With tiny rooms in huge houses,
The dust behind limousines;
Never such innocence,
Never before or since,
As changed itself to past
Without a word--the men
Leaving the gardens tidy,
The thousands of marriages,
Lasting a little while longer:
Never such innocence again.
- MCMXIV”
―
“I am a messenger who will bring back word from the men who are fighting (WWI) to those who want the war to go on forever. Feeble, inarticulate will be my message, but it will have a bitter truth and may it burn their lousy souls.”
―
―

“He had volunteered early, rather than waiting to be conscripted, for he felt a duty and an obligation to serve, and believed that ... being willing to fight for his country and the liberty it represented, would make some small difference. ... His idealism was one of the casualties of the carnage [of Verdun].”
― The Dream of Scipio
― The Dream of Scipio

“Nothing was left in his voice but equanimity, apathy; fire had burned everything else out of it. It’s men like that you need for fighting.”
― Storm of Steel
― Storm of Steel

“From a mockery the tanks have become a terrible weapon. Armoured they come rolling on in long lines, more than anything else embody for us the horror of war.”
― All Quiet on the Western Front
― All Quiet on the Western Front

“Well, I know what he wanted. Same as all of us. Punting and lectures and drinks at the pub. 1912, forever.”
― In Memoriam
― In Memoriam
“It was such a heavenly dream: dreamed between the reality of war and the reality of hereditary madness.”
― The Undying Monster: A Tale of the Fifth Dimension
― The Undying Monster: A Tale of the Fifth Dimension
“Naši odani i plemeniti saveznici, Francuzi i Englezi, hitaju nam u pomoć, i već su i sami glasovi o njihovom dolasku udvostručili snagu i hrabrost naših vojnika pa ipak, oni možda neće stići na vreme da nam obezbede pobedu. Kao na Kosovu polju, sada se borimo u suštini sami.”
― Heroine Velikog rata
― Heroine Velikog rata

“Then came the summer of 1914, and suddenly everything looked different, inwardly and outwardly. It became evident that our former well-being had rested on insecure foundations, and accordingly there now began a period of misery, the great education. The so-called time of testing had come, and I cannot say that it found me better prepared, worthier, or superior to anyone else. What distinguished me from others at that time was only that I lacked the great compensation so many others possessed: enthusiasm.”
― Autobiographical Writings
― Autobiographical Writings
“It is the others that are sick. They are sick who gloat over news of victories and see conquered miles of territory rise resplendent above mounds of corpses. They are sick who stretch a wall of flags between themselves and their humanity so as not to know what crimes are being committed against their brothers in the beyond that they call "the front." Every man is sick who still can think, talk, discuss, sleep, knowing that other men holding their own entrails in their hands are crawling like half-crushed worms across the furrows in the fields and before they reach the stations for the wounded are dying off like animals, while somewhere, far away, a woman with passionate longing is dreaming beside an empty bed. All those are sick who can fail to hear the moaning, the gnashing of teeth, the howling, the crashing and bursting, the wailing and cursing and agonizing in death, because the murmur of everyday affairs is around them or the blissful silence of night.”
― MEN IN WAR
― MEN IN WAR

“Exciting News! BookLife Reviews, a division of Publishers Weekly, has given TORN its “Editor’s Pick” designation, a high honor given to independently published books that are deemed to be of outstanding quality by their editorial team!
Their review said, in part, “This ambitious, vividly detailed, sometimes dense novel demonstrates that Snodgrass knows his patch of America like Faulkner knew Yoknapatawpha or Donald Harrington knew Stay More.”
― Torn
Their review said, in part, “This ambitious, vividly detailed, sometimes dense novel demonstrates that Snodgrass knows his patch of America like Faulkner knew Yoknapatawpha or Donald Harrington knew Stay More.”
― Torn
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