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Also, I wanted to thank Elizabeth for this fun idea for the group. After all, we all get tired of reading sometimes. Don't we? (:-D Well maybe not, but we still have fun watching the movies!

I thought the acting, the cinematography, and the plotting was fabulous. Also, I think Rozema did a masterful job at addressing many of the unspoken, but alluded to, complicated and complex issues that the novel puts forth -- the latent and potent sexuality and relationship entanglements or machinations of many of the protagonists; the issues swirling around slavery and its effect upon the Bertram family and its economy. I also think that Rozema was remarkably faithful in her illustration of each of the characters' primary flaws and traits; from her portrayal of Aunt Norris's odiousness, the weakness and addiction of Lady Bertram, the pride of Sir Thomas, and so forth.
About two years ago we watched, and enjoyed the multi-episode BBC production of the early-1980s. It was good, and was extraordinarily faithful to the book; and while primitive, was well-filmed and acted. In the final analysis though, I enjoyed watching Rozema's adaptation the best; it was thought-provoking, complicated, and controversial; just as Austen's novel remains to this day. A big 'thumbs-up' from me for Ms. Rozema's effort! Cheers! Chris

Fanny is made to look like a bad-ass courageous adventurer, when she is actually physically very sickly and quiet and faints from picking roses for too long in the sun.
Mr. Bertram is made to be EXTREMELY creepy in how he views Fanny, in a pervy way.
Miss Crawford also is all handsy with Fanny, which is SO not Austen/in the book.
What happened here??!! I usually have a high tolerance for adaptations not living to the book by the letter, but this one I had to turn off without finishing.


Fanny is made to ..."
Ha, ha, Holly! I just commented on the other thread... (wherein I agreed with you)


I'll take the 1983 BBC version over the two newer ones any day. In fact, I own it.


I can understand some of the changes - some things work better on screen, others in books - but this is not the shy but disciplined Fanny Price of the novel. So I had to come here to see if anyone had a similar reaction. At least I am not alone!


I'll try watching this version of "Mansfield Park" based on your comments.
I've been a little afraid of what would be done with Fanny in a tv or movie treatment of the book to make her appealing or palatable to a mass audience.
It's such a shame bec this book is in my top 2 favorites of JAs major novels.

I'll try watching this version of "Mansfield Park" based on your comments.
I've been a little afraid of what would be done with Fanny in a tv or movie treatment of the book to make her a..."
I love Mansfield Park, too! It took me a very long time to understand Fanny, but I seriously love her now and I'm glad I took the time to get to know her. And this version didn't disgust or horrify me because they didn't take liberties with her character. I don't think it is completely satisfying, but I still did like it.

I've been watching Emma for the other discussion and realised that they have some actors in common too, Maria became Mrs Weston and her father, Mr Woodhouse.




The Francis O'Connor one wasn't just liberal, it felt like it was trashing the book and what it stood for. I usually like liberal adaptations but somehow not this one.
I also think that Fanny's character is adaptable, she doesn't have to be made purposely feminist or strong-willed to be loved. The 1995 Persuasion had a great and mostly accurate Anne with her timidity and acquiescence. People still loved her and her presence was still felt.
As for the Billie Piper one, I found it completely forgettable and ridiculous with no vision at all. The only thing I remember specifically is that it didn't even show Fanny going to Portsmouth, an event that isn't just random or dispensable in an adaptation. The novel is about Mansfield Park, Fanny going to Portsmouth and coming to appreciate her time in Mansfield is extremely significant for the development of the character. Not to mention Henry Crawford's proposal being there takes on a different meaning altogether. I just found this one laughable.

So enjoy watching these two versions and we'll chat about them beginning 3/7? Let me know if anyone would like to adjust that date. (We'll keep this very informal!) We'll start with the Frances O'Connor version (directed by Patricia Rozema).