VAMPIRES DON'T SPARKLE discussion
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The Tinkerbell-ing of Vampires in pop culture
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Wow!!! That was great, Lucy. I was going to set up a folder called "RANTS" where people could hate on Twilight but you can leave this here. To answer your question I don't know. It's not just Twilight, theres lots of stories on the market now where they don't kill, they're not scary, and they do stuff like feed of of willing donors. That just waters down the whole vampire thing to me. I don't like the new trend of cute, cudly vampires. It's like they've been castrated.
Hmmm...while I agree that Louis was a morose, "kinder" vampire, I always ascribed that to just his human personality carrying over into his vampire transformation. Perhaps that is the unfortunate birth of a nicer vampire. However, Rice also created one of the more psychotic vampires in that same book. Her "child" vampire, who was as bloothirsty (if not more so) as her creator. So, I don't think it was Rice's intention to spawn the trend towards the "fangless" vampire, so to speak, if that is even the case.
Have you heard some of the stuff Rice says about it? For instance...
"Lestat and Louie feel sorry for vampires that sparkle in the sun. They would never hurt immortals who choose to spend eternity going to high school over and over again in a small town ---- anymore than they would hurt the physically disabled or the mentally challenged. My vampires possess gravitas. They can afford to be merciful."---Anne Rice
"Lestat and Louie feel sorry for vampires that sparkle in the sun. They would never hurt immortals who choose to spend eternity going to high school over and over again in a small town ---- anymore than they would hurt the physically disabled or the mentally challenged. My vampires possess gravitas. They can afford to be merciful."---Anne Rice

So basically what we see that has been going on since the 1990s with the culmination in Twilight, is really nothing more than has been going on for centuries already - except that is has gone overboard to such an extent that the modern-day writers and film makers have forgotten what vampires also, and primarily, are: predatory monsters that basically treat humanity as happy meals.
While I agree that charismatic vampires have existed in legend, lore, literature, and cinema, I always felt the charisma to be part of their predatory arsenal. I looked upon it the same way I would look upon the way a venus flytrap attracts a fly. I also agree there is a bit of romanticism within the vampire myth, however, if you look at the first cinematic portrayal of a vampire, Nosferatu, he was far from charismatic, romantic...or even attractive. Ditto with the vampire of Salem's Lot. Dracula, I grant you, had his own mystique..as do the vampires created by Rice (as was pointed out earlier in the thread). But, this new crop of vampires...the safe, gentle, loving (and sparkling) vampire is something altogether new and I agree that writers and film makers have gone way overboard. Vampires of the past, while some may have been charismatic or romantic figures, ultimately used those attributes to further their ability to prey upon human victims. So, ultimately although it may have been wrapped up "pretty" paper...the package still contained a being whose sole purpose was the hunting and feeding upon humans.


Charlene Harris' vamps aren't too bad. I like that they're more organized. Seems to make sense in our age of technology.
I want to know why most vamps you see lately are all about assimilating into human culture. They hide who and what they are and snack on Bambi.
I can appreciate romanticizing and bringing sexy to vamps, but where is the actual horror. All the attention is put on these guilt ridden do-gooders, never mind that they knowing fraternize with their food, and why are the girls, because it seems they're always girls, so ok with dating a guy who fights against killing her. Setting up a volatile relationship is good drama but idolizing a situation that can I erupted into physical violence and death is not really a relationship to try to emulate.
Where are the killers?

Charlene Harris' vamps aren't too bad. I like that they're more organized. Seems to m..."
Oddly, I both love and hate the Anne Rice vamps. I love them because she really did something interesting with vampires. She introduced the world to vampires you could feel empathy for. Before her, the standard vampire was a monster, pure and simple.
The problem (and this is not her fault) is that her interpretation quickly became the norm. Her take was interesting and fresh, but it changed the genre so fundamentally that now when you read a book where vampires are just pure monsters, that seems fresh. Which is ironic, since that's pretty much what vampires were for centuries before Rice brought the sympathetic vamp to the mainstream.
So while I respect what she did, I have days where I wish she hadn't done it. :)

Books mentioned in this topic
The Vampyre (other topics)Carmilla (other topics)
Dracula (other topics)
What happened? At what point was it decided that vampires needed to be charming prom dates? The creation of the vampire myth was not meant to cast them as the heroes, they were creatures of legend meant to inspire fear. Let's break it down, shall we? They are the undead. They live off human blood, killing their victims or, in some cases, turning them into monsters against their will. If they ever used their "charm," it wasn't to win the girl..it was to lull her into a state that made her easier to kill or turn into a blood-starved slave. The idea of a vampire mooning around after a victim, or of a victim going into lovestruck rhapsodies over their potential murderer, makes about as much sense as me falling in love with a hamburger...or vice versa.
So why? Why has this become the collective norm of vampires in popular culture? Why have the bedazzled, hearts-and-flowers vampires become such a phenomenon? Do we subconsciously long for a kinder, gentler breed of monster? Is it because we see enough horror in the daily news that the beasts of our childhood terrors have become a method of escapism from the frights of our reality? When did we decide that our monsters needed to be less monsterous?