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Bulletin Board > How do you make characters believable?

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message 1: by Gabriel (new) - added it

Gabriel Boutros | 115 comments Confident that there is no topic I know so little about that I can't shove my opinion in people's faces, I went onto somebody else's site to write a guest blog about making characters believable. I'd be curious to know what other tricks or rules other authors use to ensure realism in their writings. The blog I wrote can be found at:http://www.blog.kybunnies.com/gabriel...


message 2: by J. (new)

J. Rubino (jrubino) I wasn't able to open the link!
Here are a few things that I think make characters "real":
1. Characters are what they want. In every passage, whether it's dialogue or exposition, a character's goal has to be clear to the reader.
2. One of the best methods of giving dimension to character is through dialogue. One book I point to is "Pride and Prejudice", and use the five Bennet sisters as an illustration. Each one has a unique speaking style that reflects age, education, interests, self-awareness, moral values - even without attribution, you would never confuse Mary for Elizabeth, or Jane for Lydia. Dialogue - when it's done right - tells us a lot about the character, because so much affects the way people speak - age, gender, educational level, ethnicity, social codes, geography - and that, in turn, gives a very specific cast to the character.
janetility.com


message 3: by Pete (new)

Pete Planisek | 60 comments Good topic. For what it's worth I agree that effective dialogue is key but I'd also add that you need to make the conflict they face something (on some level, no matter how fantastic the plot is)that the reader can understand and relate to. Humans are flawed, quirky, and don't always make the right decision, or achieve the goals they hope they will. Make the characters feel as if they both belong to and inhabit the setting. If you're going to try to sell the reality they exist in then treat their problems and emotions realistically.


message 4: by Gabriel (last edited Jun 30, 2013 10:02PM) (new) - added it

Gabriel Boutros | 115 comments I'm enjoying reading the great opinions so far. Don't know why the blog link wouldn't open. I can't seem to even get to the page where my blog was posted in the first place, so as my contribution to this discussion I will copy it here:

How to make characters believable.
(As I write these few words of advice, I wonder if I’m living proof of the old adage, “those who can, do; those who can’t, teach.”)
Lots of things characters do in books can be believable, even if they might seem otherwise outlandish, if the writer has put the time into establishing that this is precisely what this character would do in the particular situation. Sometimes writers are so determined to keep their plot moving forward that they forget that the plot is simply what people say and do. They spend a line or two describing the character’s hair, or a little quirk, to distinguish them from the other two-dimensional characters in the book, and then rush into the action. But if the characters are so thinly drawn that they have no real “character” or personality of their own, then the audience will have little at stake in how the plot turns out.
What turns me off, in a book or a movie, is when somebody says or does something that is totally against his own nature, or human nature in general, but only serves to advance the plot. An obvious example is in horror movies where somebody goes down into a dark basement alone to investigate a strange noise when he knows the crazed killer is nearby. The reason the audience is yelling out “don’t go down there” is because nobody in their right mind would do so. Of course it is lots of fun for horror fans, but that’s mostly because everybody knows that it is totally UNBELIEVABLE!
How much more interesting would it be if the character is drawn in such a way that you know he has no choice but to go down in the basement? Then he is being true to his nature, and his horrific fate is that much more poignant, because it is so much more believable. But it takes time and effort, not to mention talent, to draw up a character who would actually want to go down those stairs, instead of just sending him down there because the writer thought it would make for a good splatter scene.
Another aspect of writing realistic characters is that they have more than one side to their personality. They may be kind and loving with one person, and rude and indifferent to others. We all know people like that in the real world. Of course, this is a tricky balancing act again, since you don’t want a smart-aleck like me to complain that the character is not being true to his nature. Once again, the challenge is in writing a character whom the reader knows has different sides to his personality, so that the changes of moods, for example, seem natural, instead of forced. When the reader isn’t jarred by something a character does that just rings false, then you have succeeded.
Nobody said that writing believable characters was going to be easy!


message 5: by Patricia (new)

Patricia Puddle (trishapuddle) | 240 comments I find writing in first person present helps. Then the reader knows every thought, feel, touch, and deed of the character. I try to add thoughts in a way that they're believable. I also add personality in dialogue and I use all the senses. Make sure the character isn't perfect and add plenty flaws as well as endearing characteristics.


Ominous Love (Ominous, # 1) by Patricia Puddle Ominous Love


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