Paranormal and Horror Lovers discussion

**OPEN** BotM (AUGUST) Nominations Are Now Open! (Large Press)

Please note, we have added to the Nomination Rules a LIST OF PUBLISHERS to better determine where your nomination should be posted.

NO COMMENTS ON THIS THREAD, PLEASE!!

This thread is STRICTLY for nominations. If anything other than nominations are posted in this thread, they will be deleted immediately.

When nominating a book, please be sure to do the following:

1. Provide a linkable/clickable cover
2. A link to the author
3. A basic summary of the book
4. Please be sure to post a nomination in the Small Press Category as well. This allows for a more varied selection of votes in the polls. We are noticing that this is starting to become an issue, so please help us out.

EXAMPLE OF NOMINATION POST:

To Get The Following To Appear Properly:


Watchers by Dean Koontz

summary,summary,summary,summary,summary,summary,summary,summary.


You use the below code, being sure to remove the ' @ ' sign from where it is seen:

[@bookcover:watchers]
[@book:Watchers] <@b>by<@/b> [@author:Dean Koontz]

<@i>summary, summary,summary,summary,summary,summary,summary,summary.<@/i>

For those who do not know how to do this, please refer to THIS POST for coding information. If you are still having issues with it after reading the post, you may CONTACT US and we will assist you as quickly as we can.

SMALL PRESS NOMINATION POST: Found

Red Moon by Benjamin Percy

They live among us.
They are our neighbors, our mothers, our lovers.
They change.
When government agents kick down Claire Forrester's front door and murder her parents, Claire realizes just how different she is.
Patrick Gamble was nothing special until the day he got on a plane and hours later stepped off it, the only passenger left alive, a hero.

Chase Williams has sworn to protect the people of the United States from the menace in their midst, but he is becoming the very thing he has promised to destroy.

So far, the threat has been controlled by laws and violence and drugs. But the night of the red moon is coming, when an unrecognizable world will emerge...and the battle for humanity will begin.

The Somnambulist byJonathan Barnes

Once the toast of good society in Victoria's England, the extraordinary conjurer Edward Moon no longer commands the respect or inspires the awe that he did in earlier times. Despite having previously unraveled more than sixty perplexing criminal puzzles (to the delight of a grateful London constabulary), he is considered something of an embarrassment these days. Still, each night without fail, he returns to the stage of his theatre to amaze his devoted, albeit dwindling audience with the same old astonishments—aided by his partner, the silent, hairless, hulking, surprisingly placid giant who, when stabbed, does not bleed . . . and who goes by but one appellation:

The Somnambulist

On a night of roiling mists and long shadows, in a corner of the city where only the most foolhardy will deign to tread, a rather disreputable actor meets his end in a most bizarre and terrible fashion. Baffled, the police turn once again in the direction of Edward Moon—who will always welcome such assignments as an escape from ennui. And, in fact, he leads the officers to a murderer rather quickly. Perhaps too quickly. For these are strange, strange times in England, with the strangest of sorts prowling London's dank underbelly: sinister circus performers, freakishly deformed prostitutes, sadistic grown killers in schoolboy attire, a human fly, a man who lives backwards. And nothing is precisely as it seems.

Which should be no surprise to Moon, whose life and livelihood consists entirely of the illusionary, the unexpected, the seemingly impossible. Yet what is to follow will shatter his increasingly tenuous grasp on reality—as death follows death follows death in the dastardly pursuit of poetry, freedom, utopia . . . and Love, Love, Love, and Love.

Remember the name Jonathan Barnes, for, with The Somnambulist, he has burst upon the literary scene with a breathtaking and brilliant, frightening and hilarious, dark invention that recalls Neil Gaiman, Susanna Clarke, and Clive Barker at their grimly fantastical best . . . with more than a pinch of Carl Hiaasen–esque outrageousness stirred into the demonically delicious brew.

Read on . . . and be astonished!(less) .

by F. Paul Wilson

"Something is murdering my men."

Thus reads the message received from a Nazi commander stationed in a small castle high in the remote Transylvanian Alps. And when an elite SS extermination squad is dispatched to solve the problem, the men find a something that's both powerful and terrifying. Invisible and silent, the enemy selects one victim per night, leaving the bloodless and mutilated corpses behind to terrify its future victims. Panicked, the Nazis bring in a local expert on folklore--who just happens to be Jewish--to shed some light on the mysterious happenings. And unbeknownst to anyone, there is another visitor on his way--a man who awoke from a nightmare and immediately set out to meet his destiny.

The battle has begun: On one side, the ultimate evil created by man, and on the other...the unthinkable, unstoppable, unknowing terror that man has inevitably awakened.

I'd like to nominate Anne Rice's Anne Rice INTERVIEW WITH THE VAMPIRE.
summary: The story is ostensibly a simple one: having suffered a tremendous personal loss, an 18th-century Louisiana plantation owner named Louis Pointe du Lac descends into an alcoholic stupor. At his emotional nadir, he is confronted by Lestat, a charismatic and powerful vampire who chooses Louis to be his fledgling. The two prey on innocents, give their "dark gift" to a young girl, and seek out others of their kind (notably the ancient vampire Armand) in Paris. But a summary of this story bypasses the central attractions of the novel. First and foremost, the method Rice chose to tell her tale--with Louis' first-person confession to a skeptical boy--transformed the vampire from a hideous predator into a highly sympathetic, seductive, and all-too-human figure. Second, by entering the experience of an immortal character, one raised with a deep Catholic faith, Rice was able to explore profound philosophical concerns--the nature of evil, the reality of death, and the limits of human perception--in ways not possible from the perspective of a more finite narrator.

Little Women and Werewolves by Porter Grand (Tasha's comments: this is INHO the best done of the genre staying true enough to the original and I was almost able to picture Louisa May Alcott actually writing this)

A literary landmark—the original, suppressed draft of the classic novel!

Little Women is a timeless classic. But Louisa May Alcott’s first draft—before her editor sunk his teeth into it—was even better. Now the original text has at last been exhumed. In this uncensored version, the March girls learn some biting lessons, transforming from wild girls into little women—just as their friends and neighbors transform into vicious, bloodthirsty werewolves!

Here are tomboy Jo, quiet Beth, ladylike Amy, and good-hearted Meg, plus lovable neighbor Laurie Laurence, now doomed to prowl the night on all fours, maiming and devouring the locals. As the Civil War rages, the girls learn the value of being kind, the merits of patience and grace, and the benefits of knowing a werewolf who can disembowel your teacher.

By turns heartwarming and blood-curdling, this rejuvenated classic will be cherished and treasured by those who love a lesson in virtue almost as much as they enjoy a good old-fashioned dismemberment.

Includes the original letter from Alcott’s editor, telling her not to even think about it!