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Redshirts
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RS: Finished...Thoughts?
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Kristina
(last edited Jul 04, 2013 05:53PM)
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Jul 04, 2013 05:50PM

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I think this book had been too hyped up for me, so I was expecting something much deeper. Other reviewers have pointed out how much this book relies on dialogue, with the plot floundering in the background, and I agree.
I did still enjoy reading it and would probably recommend it to others, especially Star Trek and Star Gate fans.

When I looked at it as a semi-serious piece of literature I found I was let down. As other's have mentioned in other threads the "he said" and "she said" lines were overly in abundance and felt almost lazy and took me out of the experience a bit.
When I looked at it as a campy, fun romp through a Star Trek inspired universe, and my expectations changed, I found I enjoyed it much more. It was a real treat with the right mindset.

That's the way I looked at it, and I think why I enjoyed it so much. I was expecting a parody and read it that way. Also, like you, it was my first time reading Scalzi. I get the impression that his other works are more cerebral?

On the whole, I really enjoyed it - it was fun and fast paced and it kept me interested during a long car ride. Don't get me wrong, I do have gripes (the usual Scalzi "he said, she said" for example) but it's not meant to be taken too seriously. If you're after serious sci-fi then this one won't be for you.


As I said in another thread, the only thing I wasn't thrilled about was the ending. I just didn't need the protagonist bit, even though it filled in some plot holes. While I could appreciate the coda's on there own as short stories, I didn't actually enjoy reading them at the end of the main story. It just seemed very anticlimactic. This was all a bit surprising to me since I've read most of Scalzi's other books, and the one thing I usually think he does a good job with is endings.

(view spoiler)

Let me put it this way. In relation to the "source material" the title of the book references, there are several beings/groups with enough power/tech that are dickish enough to play around with the lives of less powerful individuals to the extent we see with the command staff and the expendable crew in the book. I had hoped that Scalzi would go that direction with it, and keep everything contained within the universal union setting.
Instead... we got something that was good, but wasn't what I wanted.

That said, I don't know if I'm the only one, but I listened to the audio WITH someone else. We had it going with the digital version up on the computer like subtitles. Why subtitles, you ask? We were laughing out loud. We were also yelling out loud (view spoiler) . What I'm saying, is really, I didn't read or listen to the book...we experienced it in a group imagining. We got as close as you could to watching it as a tv show, and I am telling you, any other complaint I've made, I THOUGHT IT WAS GREAT! This book was fun, if that is what you were looking to get out of it. It was no SG:U, sometimes it felt like a fifteen year old wrote it ("owe ya a blowjob"...really?), but I had fun, which is what I was looking for.


[spoilers removed]"
What David says, in his spoiler tags, is bang on with what I thought.
If the story had been contained in the setting where they knew something was fishy about away teams (a 'meta' story, for lack of a better term), then I would have been really happy to see how the story developed, which is essentially an episode of Star Trek. When the story went 'super-meta', it was a direction that I wasn't expecting and did not enjoy as much as had Scalzi stuck with the original setting.
Not to say I didn't enjoy the book. But I'd say its obvious that Scalzi was aiming for a 'super-meta' story and that's fine for people who enjoyed that bit.

Did anybody think the Karensky/Corey exchange may be a nod to The Man Who Folded Himself by David Gerrold who also wrote The Trouble With Tribbles?

And I read the Hanson bit as a very tongue in cheek scene, where typically, a character would be there to offer someone for our hero to muse to, but Scalzi threw in the twist of making the hero self aware of the purpose of that scene, and therefore Hanson. Very meta, but I felt like it fit, since the book was almost self aware.


HANSON: ...if I had to guess, I'd guess that your creator would say to you that he would want you to live happily ever after.
DAHL: That's just a guess.
HANSON: Maybe a little more than a guess.

I thought the same thing.



The time travel put me off a bit and the codas seemed unneeded and stylistically too different from the rest of the novel.
Now maybe its because I have also been watching TNG and had it on in the background while I read this but I nearly expected the whole thing to turn out to be a holodeck at the very end with Hanson.
Also was it that I missed it or were there actually NO descriptions of what any of the characters looked like?



It's been a while, so I don't remember the description from the book all that well myself. But a link to the video you mention can be found in this thread here:
http://www.goodreads.com/topic/show/1...

I feel like if you didn't picture Q'eeng as a Vulcan, there's something wrong with you. I read his dialogue with Spock's voice in my head. It fit perfectly.
The lack of character descriptions really bugged me. I was cool with the Intrepid's "stars" not being described because I figured we were meant to picture the original Star Trek cast. But not describing the "redshirts" made no sense. Just give me a little something so I can picture the characters in my head.
Jenkins was the only one who was really described at all and I thought when they said he looked like a Yeti, they were speaking literally. Like Jenkins was a Chewbacca-esque alien. I was halfway into the book before I realized Jenkins was just a really hairy human being.

At first this bothered me as well, but I wasn't sure if this was done on purpose since they were originally supposed to be characters killed off on a Star Trek knock-off. Like the show chose a face you recognize vaguely but can't place, so Scalzi reflected that in the text.


I did really enjoy the book. I found the story fascinating, though I had initially expected some sort of conspiracy a la "Soylent Green" and was surprised (not altogether pleasantly) to find "Stranger Than Fiction" instead. I felt like many others did, that this ended up being the "easy" resolution.

I pictured him as Kif from Futurama. Couldn't help it. I tried to picture Spock, but, no, he was Kif.

Overall, I am glad I read it, but probably not a good first experience with Scalzi.

I really liked Kerensky as a Chekhov parody, thought that Q'eeng made an OK Spock, and thought Abernathy felt more like Shatner than Kirk. Did anyone else miss having a McCoy around to make sarcastic comments about the general proceedings?


I kept seeing Q'eeng as Dr. Lazarus from the movie Galaxy Quest. The ultimate Star Trek parody for me !



Not really, because I felt like that was the role of every other person in the book



I liked the book for what it was (a fun paradoy/spoof), but I had just finished "Old Mans War".... and wow what a difference. The last coda, however reflected Scalzi's true writing ability. If this was your first pass at Scalzi, try Old Man's War and the others in that series. I dont think you'll be disappointed. Just my thoughts...

I have read all the Old Man's War books. I loved them. This one just was not my thing.



One thing I couldn't stand was the over use of "he said", "she said". I noticed the same thing when reading Old Mans War. I almost put both books down because of it but it seems to get better after all the characters get introduced. In both books it is around page 100 that the plot takes off and it becomes easier to overlook the overuse of "saids".
Although I thought the ending was a little bit of let down I thought the Codas were brilliant. They really put a nice touch to the end of the book. It was nice to see the actions of the future characters having positive effects for the actors of the show.


It would have been right along this books lines if the 'episode' of return had been about Kerensky being kidnapped by a group of ensigns to go back in time to stop the show (I'm thinking Eshers 'Gallery' print, the painting is also the outside of the gallery). But it would have been more involved to write such a thing, and as others have noted, it felt a little rushed (the ending at least, to me).
Also, the second episode with the withheld pants was a fantastic piece of writing, I thought.

I am just flabbergasted at how many accolades this has gotten. Are there just a bunch of Trekkies who are falling over themselves in love with the in jokes? Or legions of Scalzi zealots? Or some unholy alliance of the two? If this wins the Hugo...


This book is like a Saturday Night Live skit. It was funny for a bit, but just went on and on and on. This would have served better as a novella at best. When we did reach the end, which was satisfying, Scalzi continued on with 3 more endings all of which were unnecessary. Not unreadable, but not needed at the same time.
The other thing that drove me nuts, as I listened to it, is Scalzi's constant use of the word "said." You wouldn't catch it I think reading it, but listening to it, he used it way too much. It just drove me nuts.
Scalzi's not big on synonyms or adverbs.

Books mentioned in this topic
Old Man's War (other topics)Redshirts (other topics)
Agent to the Stars (other topics)
Mogworld (other topics)