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Mary Novik's Historical Novels > Muse, part 1, Clairefontaine

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Betty | 618 comments chapters 1-5

Like Eco's The Name of the Rose, Mary Novik's book Muse is set in the fourteenth century, beginning in the year 1309, the same year the papal court moves from Italy to Avignon, France, and ending during the era of Pope Clement VI in 1348. The hungry Solange Le Blanc is six years old, carrying a perfume bottle of her dead mother's tears, when a priest brings her to the Benedictine abbey of Clairefontaine. Solange's reputed clairvoyant ability precedes her and from her point of view earns some of her keep there. Abbess Agnes compares Solange to the visionary Hildegard of Bingen while writing down Solange's visions in a lined ledger. Solange finds friends in nine-year-old motherless Elizabeth and in the scribe Mme de Fore whose favorite reading is The Romance of the Rose and whose preferred language is "la langue d'oc" of northern France.

The author's choice of words lends authenticity to the time period; sometimes a tiny glossary might be convenient for a quick lookup. The pictorial, sensual images bring to mind both a painting and a scribe's magnifying glass,
"...their black habits...In the dark of night...sleepwalkers."

"...hearing...pebbles shift under the feet of mice or squirrels."
Another bridge to the century is the spiritual interpretation given to physical objects,
"...everything we apprehend on earth has a spiritual meaning. Our microcosm is a pale double of the macrocosm."
Sometimes a description is pure poetry,
"My nose caught the scent of thyme like Conmère's skin, but bitten and sharpened by the frost..."
There's a lot of soaring contrasts in the descriptions, too.


Betty | 618 comments chapters 6-11

Solange grows from childhood to young adulthood at Clairefontaine, experiencing the varied activities inside the abbey, and envisioning her future "as a scribe" or a "painter-scribe",
"...at night I dreamt of gold and silver foil beaten to supreme thinness and the manuscripts that would spill from my pen in the years to come".
She's copying and illuminating a commission for Dante's Vita Nuova , secretly making at night a personal copy of it,
"...I would make a second copy of La Vita Nuova for myself, penning it at night when the scriptorium was empty."
An interesting historical insight is the technological rediscovery of glassmaking after the Dark Ages, Quick History: Window Glass. In the fourteenth century, the abbey replaced its oiled-parchment windows with glass.


message 3: by Betty (last edited Jun 04, 2014 09:53PM) (new) - rated it 5 stars

Betty | 618 comments chapters 12-13

I just noticed Edwin Mullins's The Popes of Avignon: A Century in Exile in the library catalog. Its topic pertains to the southern France time and place in which Solange, Petrarch, and other characters play out this novel. Solange's story begins in the first decade of the fourteenth century when Pope Clement V's administration moves from Rome to Avignon; she grows to maturity at Clairefontaine abbey during controversial Pope John XXII's reign, and later becomes the mistress of Pope Clement VI.

Les Palais des Papes (1909), an oil painting by Paul Signac
"Le Palais des Papes, Avignon" (1909), oil painting by Paul Signac


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