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I Am the Messenger
April 2018
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I agree with your statement that Zusak's books defy classification (or genre-ification). I have no idea why this was called YA as I am definitely not a "young" adult and I liked it. Maybe because the main group of friends was youngish (19-20) and dealing with some coming of age issues?
My other book club read The Book Thief by Zusak a few years back. We all loved it and had a similar conversation wondering why it was classed as YA. The narrator in that one was a young girl, so we figured that might account for the YA label. But as with this book, it appealed to audiences of all ages.

I agree with your statement that Zusak's books defy classification (or genre-ification). I have no idea why this was called YA as I am definitely not a "young" adult and I liked it. Maybe because the main group of friends was youngish (19-20) and dealing with some coming of age issues?
My other book club read The Book Thief by Zusak a few years back. We all loved it and had a similar conversation wondering why it was classed as YA. The narrator in that one was a young girl, so we figured that might account for the YA label. But as with this book, it appealed to audiences of all ages.

Is that a category in Britain? The story was set there and the voices definitely had a cockney accent.
I also zoomed through it as it was compelling. I'm not sure I think it would be a good idea to put people in the situation to make those choices. Though sometimes community leaders have taken steps to curb bad actors in similar ways.
I liked the fact that it seemed to good outcomes for the most part. It seemed realistic that in some cases he could only do small things rather than save people wholesale. Which inevitably be good for the people being helped. They see a better way and take up the job of having more good things happen to themselves until it is an everyday experience.

Sometimes i feel thar categorizing book like YA makes people not read them. I have read a number of YA books that were fabulous. Harry Potter is a great example. If there wasn't so much talk about banning it would half the adults have read them?

The four friends were smart and had things to offer, but they had large obstacles, nobody to guide them, and no challenges to step up to. I especially liked the case of the priest when everyone rallied around to come to the mass and the party.

And the characters were aimless, as I suppose many of us are at different points in our lives. So if this book had to be classed, maybe a "coming of age" story- whatever your age?
Would you recommend this book to anyone? Anyone you think it wouldn't resonate with? (I'm thinking general audience here).


I would recommend this book to everyone and I think I will :-)


Also, Iwill have to look for his other books.
I just finished it last night (after starting it on Sunday night) so felt like most of you that is was a quick read and super absorbing. I have also read the Book Thief and loved it; I read it such a long time ago, though, that I never would have associated these two books had I not known it was the same author. The Book Thief was so poignant to me and I didn't feel the same way about this. I really enjoyed this book on its own merits though. I felt Ed's voice was very clear and I liked being privy to how he observed and figured out how to help people, especially the smaller actions. I liked watching Ed move from purposeless to purposeful and how he rose to the occasion and gained more confidence. I also really liked the part with the priest and Milla, the older lady. I like Marlies’ view that looking outside ourselves is a good takeaway.
A few negatives for me: some of the methods he used didn’t make sense to me (though maybe they did to a 19yo boy) especially the Rose brothers. Also, it bothered me a bit that his friends were rendered so shallowly until the very end – I was glad we finally got to know a little more about them. Each of them seemed so very aimless, as Ellen said, but also none of them made any effort to reach beyond that (in life or in their friendship) until Ed’s final mission. Every character seemed so isolated and dispirited, I was glad they got to connect with Ed at least (though still never each other?). Lastly, the ending! I felt a little cheated and immediately pulled out of the story.
A few negatives for me: some of the methods he used didn’t make sense to me (though maybe they did to a 19yo boy) especially the Rose brothers. Also, it bothered me a bit that his friends were rendered so shallowly until the very end – I was glad we finally got to know a little more about them. Each of them seemed so very aimless, as Ellen said, but also none of them made any effort to reach beyond that (in life or in their friendship) until Ed’s final mission. Every character seemed so isolated and dispirited, I was glad they got to connect with Ed at least (though still never each other?). Lastly, the ending! I felt a little cheated and immediately pulled out of the story.
Regarding the YA label: like Amy says, I do believe it may somewhat limit the audience that picks this book up but I think over the last 10-20 years that label has also attracted a lot of adult readers (probably starting with Harry Potter and moving through the Twilight times and the Hunger Games/Divergent/ReadyPlayerOne dystopias). I would recommend this book to most people (except I would still grumble about the ending).

I confess I kind of wanted it to be Ed's father who set it all up before he died, but that probably wasn't too realistic given his limitations.
As to Kath's observation that Ed's friends still might not connect with each other the way they had with Ed, I think I assumed they would all have to connect with each other on a deeper level now. I certainly hope so or Ed's journey would have been for naught on that level.

And the abusive husband? That just went on too long. Once you know something like that, how can you let it go on? That didn't sit well with me.

It was kind of odd that everyone, aside from the Rose boys and abusive husband, just let Ed enter their lives, even if it was for a short time. I loved the story line with Milla and Ed seemed all the better for seeing the beauty in her instead of just her age. I loved it that he would keep going back to see her even though the message had been completed.

The thing that disturbed me the most was the gun being delivered to Ed for the abusive husband. And that was early in the story. I was nervous that all cases would be that intense. Later on the cases were a bit more benign (except for the brothers) and it was clear that Ed was gaining benefit as much as the recipients of his actions. But if he had killed that husband, he would have been irrevocably changed forever. I hope that wasn't the intent of the person behind it all.
I actually forgot about the gun part -- that was terrifying! I agree that it was rough waiting for Ed to deal with the abusive husband. I was worried the story would take a very dark turn at that point and was glad when that part of the story was over.
I hope everyone had a chance to read I am the Messenger. Let the questions commence! I leave to you if you'd like to address any or all of these:
1. Have you read any of the author's other books, and if so, how did this one compare? Similarities/differences in style, etc.? (I find his books to be particularly distinctive).
2. Markus Zusak is classified as a young adult writer, as is this book. Is that a fair assessment? Do we lose anything by classifying books (especially a book like this), and should we classify books- I'm defining classification as "audience." Why or why not? Do Zusak's books defy and challenge classification?
3. Would you recommend this title? To whom, and why? Who wouldn't you recommend this book to? Why not? Who's the ideal audience?
4. Most important, what, if anything, resonated with you? Any of the characters (Ed or his friends)? Any of the "tasks" that Ed was given? How about the ending- was it satisfying to you? I'm being cagey here in case anyone hasn't read or finished the book yet ;)