21st Century Literature discussion

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Autumn
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Autumn--Background/Resources/Reviews
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This was about the first Ali Smith I read, and has led me to read about everything I can get my hands on.
Not sure I'll find time for a reread but I loved it at the time and will contribute to the discussion.

I was planning to re-read this and join the discussion, but the library announced yesterday it will close for the next couple of weeks so I won't be able to get my hands on a copy.

Any and all welcome!
Don't forget most libraries loan out ebooks.
Been hooked on Smith since this group read How to be both but this is my initial foray into her seasonal quartet.
Don't forget most libraries loan out ebooks.
Been hooked on Smith since this group read How to be both but this is my initial foray into her seasonal quartet.


1. I didn't have to google things the second time around so I could actually appreciaite the rhythm and flow of this novel.
2. Ali Smith is one of the better authors for catching "the pulse of the times." One can really appreciate that talent rereading the book and comparing how history has played out since she wrote the book.
3. When I first read the book, I was engaged in comparing it to other Booker prize nominees and trying to see the Brexit connections that were part of its hype. I was able to relax and enjoy the novel more on its own merits this time and found the novel was far more than a Brexit novel, or prize nominee. This is a rich novel, full of depth. Character rendition, for example, is exquisite.
I hope I haven't written anything that is too inappropriate for the backgound topic. I will save other comments for book discussion. I do recommend a reread if you like Ali Smith. I both cried and laughed out loud on the second read, which did not happen on my first.
All appropriate for this thread, Sam--thanks for posting and glad the reread has afforded you new insights and joys.
From the first link added to post #1 above, an answer from Smith herself about how the seasonal series of books came about:
From the first link added to post #1 above, an answer from Smith herself about how the seasonal series of books came about:
"Autumn came about because in summer 2014 I handed in a novel called How to Be Both way past my deadline. I apologised for the lateness. Simon Prosser, my publisher, reassured me: though I’d missed my file date by a year, Hamish Hamilton could still meet their publishing deadline. Within six weeks of me giving them the manuscript, I was holding finished copies of How to Be Both in my hands; I say copies and hands plural because it is a novel that comes in two possible forms and wasn’t exactly straightforward to publish.
Six weeks! It set me thinking about the time it habitually takes between delivery and publication – usually at least nine months, often more like a year and a half. It set me thinking, too, about why the novel is called the novel, and about the form’s relationship both to time and to its own time.
I had been imagining since I began writing – a quarter of a century ago – that one day I’d write a set of books named after the seasons. Now I asked Simon if it’d be possible for us to do these books as a sort of time-sensitive experiment. Four books, written close to their own publication (in the old Victorian mode, published practically as soon as written) that they would be about not just their own times, but the place where time and the novel meet. He checked with the teams at Hamish Hamilton and Penguin if they’d be on for it. They said yes."


I will be re-reading this in preparation for Summer, so I won’t read it again now, but hopefully I can remember enough to contribute.

Eduard Boubat's "Leaf girl" (Smith's word picture of the image is startlingly accurate):
https://www.artsy.net/artwork/edouard...
Pauline Boty: https://flashbak.com/the-artist-pauli...

To add a couple of links about Pauline Boty to Mark's post.
Ali Smith's article about Pauline Boty's paintings & collages in The Guardian:
https://www.theguardian.com/books/201...
Boty's unofficial website. It doesn't have many images, but it's informative about her life and has the complete catalogue of her works in such a tragically short life:
https://paulineboty.org/
After reading Autumn, I got an Ali Smith bug and have already moved to her Winter. Early in the novel it also has a reference to that Boubat's photo of a young girl covered with leaves, though in a different context. The photo is indeed striking.
Ali Smith's article about Pauline Boty's paintings & collages in The Guardian:
https://www.theguardian.com/books/201...
Boty's unofficial website. It doesn't have many images, but it's informative about her life and has the complete catalogue of her works in such a tragically short life:
https://paulineboty.org/
After reading Autumn, I got an Ali Smith bug and have already moved to her Winter. Early in the novel it also has a reference to that Boubat's photo of a young girl covered with leaves, though in a different context. The photo is indeed striking.
Vesna, I'll add a thread for both Winter and Spring toward the end of this group discussion for those who move on or have already read those books and want to discuss.
Great, Marc. Thank you. Had it not been for this monthly book reading, I would have continued to keep Ali Smith's seasonal series on my TBR list, which I now see would have been a huge mistake!
- Guardian Interview: Ali Smith on Writing Autumn (no spoilers)
- Penguin's Autumn Reading Guide
- NPR Book Review
- The Guardian Book Review
- Johannesburg Review of Books Autumn & Winter Review
- The Independent's Book Review
ART/HISTORY LINKS
- Christine Keeler (referenced at the beginning of Part 2)
- Eduouard Boubat's "Leaf Girl" (link courtesy of Mark)
- Artist Pauline Boty (link courtesy of Mark)
- Ali Smith Article on Pauline Boty (link courtesy of Vesna)
- Pauline Boty's Website (link courtesy of Vesna)