The Extra Cool Group! (of people Michael is experimenting on) discussion
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Genres: How do you approach them differently? Do you?
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Michael, Sonic the Hegemon
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Nov 23, 2010 02:56PM

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With fiction, I try to summarize the premise. With non-fiction, I focus more on the argument and how it is presented.
I usually try to add an angle that explains how the book was relevant to me or how it fits into my worldview, regardless of genre.

I also approach obscure books differently from well-known ones. If something is hard to find (academic, out of print, whatever) I focus on providing information about the content and quality. For something where there is a reasonable expectation that the reader of the review has some idea what the book is about, it is more my reaction and thoughts, critical or otherwise.


If it is a little known author or a first time author than I am much kinder.
I'm more likely to be analytical of classic lit than I am of modern lit.
I find it harder to give more stars to romance and UF books than I do to other genres because I'm far more critical of that genre.

Something has to be particularly well written, enjoyable, and quality to get more.
Nobody respects you if you give Twilight five stars and says it's the best book ever.
**Kat would like to clarify that she gave Twilight three stars and that she DOES NOT think it's the best book ever or is even close.





there are minor changes based on genre but I think it comes down to fitting the review format over the book.
I do usually review short story books differently. I either talk about one story, or I ignore the book completely.
If I don't finish a book I apologize in the review and explain why I didn't finish it, then review it the same way as if I had.
As far as classics, I always include a note that I as a rule don't like classics.
Basically I am one for meta-explaining, but then the meat of the review stays the same.

Fiction: what was the entertainment value? I'm a hopeless non-finisher. If I land on the last page having consumed the rest of book and not once skipped chunks of text, the book garners an attempt at thoughtful praise, regardless of genre.

books have a value as snapshots of history. they are capable of being powerful and living things. but in the end, they are still constructs of a "popular culture" unit. the higher the popularity, the lessened likelihood of obscurity.. classics are a product of that culture unit, not a part of it.
i am over simplifying, but in a nutshell, a five star rating system can never do a classic justice because that same system is what creates the next generation of classics.
~
now, with that stated:
any reviews, star ratings, etc that i put into the sphere are based entirely off my enjoyment of a book.
i expect that my interpretation of pop culture gives me the right to place all books on the same field of play. they can duke it out and screw till dawn, so long as i get to watch and judge in my own view, i will be pleased.
i was told that the movie easy rider was phenomenal. i found it annoying. were i to rate it based on the significance it held for others, it would be falsely skewing the numbers.
same goes for books.
this was meant to be a simple "bah" sorry for rambling


Fiction:
* are the characters (a) credible (b) interesting (c) sympathetic?
* plot - is there one, is it well-constructed, reliance on huge coincidences or completely unlikely deus ex machina?
* style - narrative voice, fluency, ability to create and maintain interest, clarity?
* presence/absence of assorted postmodern gimmicks
* spark - does the author manage to pull off something special? or are things just run-of-the-mill?
If I read a story in one or two sittings, I will definitely mention that fact, because I think it's a helpful piece of information. Similarly, I will identify stories that are first-person narratives because I wish other reviewers would provide that warning (I don't generally enjoy first-person narratives of characters who are complete jerks - McEwan's "Solar", for instance, was very tedious).
Actually, my bulleted list is a complete sham. I wish I covered all these points in every fiction review, but when I check back on some actual reviews, I come nowhere close in most cases.
(mutters to self ... must write more thorough reviews ...)

I don't try to write thorough reviews. Nor do I look for "thoroughness" in the reviews I read. I'd rather a review focus on one thing (whether it be style, character, or whatnot) that really stood out for some reason or another, and really expand on that. Usually for me books I've read tend to give me a strong impression in one area, and the other things are there too, but I have considerably less to say about them so I don't try.


finished. Even if it's not too favorable, I'll post a few sentences just to let my horror friends know what I thought about it and if it's really bad to steer clear of it.

But on the other hand, I think I have the same sorts of expectations for every book I pick up: that the author will be really good at something, or have something to say that I haven't heard before ... to be unique and/or super-talented, basically.
I guess I crave novelty and want to be impressed.
Wow ... kind of amazed at my own shallowness, actually ...


We all pick up a book with certain expectations, and sometimes we're lucky and are blown away, other times it's just "meh."



I don't give full reviews for books I can't finish, but I have no qualms in posting WHY I couldn't finish the book and what the book was lacking for me.



you should be more famous!!


Doesnt mean im literary snob either who thinks non-genre,general fiction is better because they are mundane stories and not genre fiction. Usually i give 5 stars only masterworks of its type of story. If they cant equal that level i give them lower ratings. I rate both storytelling,prose,writing ability.
Thats why i dont understand people who give 5 stars to every book they enjoy reading....



