Q&A with Nicholas Olivo discussion
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TheThirdLie
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Feb 06, 2012 05:27PM

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I'm actually really glad to hear that - more ideas for the next book! And the next book and the book after that... :)

I do that too, and then I stop and go, did the author know about this from the very beginning? I guess now I know in your case! :P
I can't imagine trying to keep all the plot lines straight, as well as trying to work in all the foreshadowing without being obvious. How do you do it?
Nicholas wrote: "Mackenzie wrote: "How do you do it?"
A lot of outlines... :)"
Tell us about the outlines, Nick. How detailed do you get? What form do they take? How strict are you with sticking to them?
A lot of outlines... :)"
Tell us about the outlines, Nick. How detailed do you get? What form do they take? How strict are you with sticking to them?

Nicholas wrote: "How about you, Rob? Do you use outlines?"
I've used outlines for all my books save one, THE HUSTLE. That was a bit of an experiment. I wanted to try writing with only a simple premise and nothing else. Now, this book featured the main character from LAST CALL, so I did have some background stuff. But nothing on the plot. However, I don't know if I'll do that again any time soon. Too rough on my nerves.
My outlines sound a lot like yours. I used to use real index cards until I found a computer program that simulates them with a few extra bells and whistles. For my current book (Book Three of the Lockman Chronicles) I'm experimenting with Scrivener and its built-in index card system.
Basically I write a line or two that summarizes each scene in the book. I don't start writing until I have a scene-by-scene rundown of the whole book. But once I start writing, all bets are off. One scene might turn into many. Other scenes get scrapped. I stay flexible while using the outline to keep me from veering off into the land of confusion.
I've used outlines for all my books save one, THE HUSTLE. That was a bit of an experiment. I wanted to try writing with only a simple premise and nothing else. Now, this book featured the main character from LAST CALL, so I did have some background stuff. But nothing on the plot. However, I don't know if I'll do that again any time soon. Too rough on my nerves.
My outlines sound a lot like yours. I used to use real index cards until I found a computer program that simulates them with a few extra bells and whistles. For my current book (Book Three of the Lockman Chronicles) I'm experimenting with Scrivener and its built-in index card system.
Basically I write a line or two that summarizes each scene in the book. I don't start writing until I have a scene-by-scene rundown of the whole book. But once I start writing, all bets are off. One scene might turn into many. Other scenes get scrapped. I stay flexible while using the outline to keep me from veering off into the land of confusion.
Nicholas wrote: "Yeah, staying flexible is key. You can't plan every single detail out - you're always going to get new & better ideas as you're writing. It's like that old military adage - no campaign plan survive..."
Unless you're thriller writer Jeffery Deaver. In interviews he often explains how his outlines are 200+ pages, sometimes planning down to specific paragraph breaks. :O
Then he writes the book in a month.
Just goes to show there is no one right way to write a novel.
Unless you're thriller writer Jeffery Deaver. In interviews he often explains how his outlines are 200+ pages, sometimes planning down to specific paragraph breaks. :O
Then he writes the book in a month.
Just goes to show there is no one right way to write a novel.