The Readers Review: Literature from 1714 to 1910 discussion

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The Mill on the Floss
George Eliot Collection
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Mill on the Floss, The: Week 4 - Book Fourth & Book Fifth
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The first chapter of this Book is interesting because George Eliot was reared in a strict atmosphere of evangelical Protestantism but eventually rebelled and renounced organized religion totally. Here we see her criticising the Protestant religion of the families as being 'semi pagan', only followed at a 'prosaic level' because its 'limited and limiting' routines form the centre of social customs which uphold their family pride and respectability. She also made a journey, with Lewes, down the Rhone, visiting the castles she mentions here and learned that people there suffered a severe flood. Just as the angry Rhone caused tragedy, we are reminded by Mr Tulliver of the myth that an angered Floss would flood if the mill changed hands...
Eliot is also offering her analysis in terms of the scientific theories of the day regarding social evolution, in which she was greatly interested (and knowledgeable), arguing that all things are connected and each successive generation evolves to a slightly higher level than the one before it.

The first chapter of this Book is interesting because George Eliot was reared in a strict atmosphere of evangelical Protestantism but eventually rebelled and renounced organized rel..."
Thanks for the information, Madge. Interesting that Eliot renounced organized religion. Reminds me of the story of Virginia Woolf, who yelled "I hate religion!" at an upper class woman (can't remember who).

And don't know what to make of Maggie's relationship with Philip. On one hand, I see him as someone who would allow Maggie to use her mind. On the other hand, he is a bit controlling. Although obviously, part of that is because he loves her; can't blame him for manuevering a bit to get her to like him. But either way, it doesn't have a good ending when Tom finds out.
Which leads me to Tom. He's turning into quite the unlikable young man. He is definitely controlling, and although he says that Maggie can do what she wishes, he makes it clear that there will be some type of punishment if she does. He has limited understanding, but still thinks that he is always right.
And last but not least, Mr. Tulliver. I feel bad for him, but he is someone who doesn't understand the system in order to manipulate it, and then tries to use physical strength to make up for his inability to work the system.

While I dislike like Tom and agree that he is a rather unlikable character and particularly in his treatment of his sister, I do have to say I was surprised that he has turned out to be seemingly successful in business. Based on the fact that he does seem a bit slow on the uptake and seems to have unrealistic expectations and standards I had thought that his endeavors would prove failure. Though I suppose what he lacks in intellect he makes up for in a certain "street smarts" so to speak.
Also I wondered if the way in which Tom's education proved to be a complete failure in his efforts to actually try and get a job was a reflection of just how out of touch with the world and misguided Mr. Tuillver was?

Having worked in business for many years, yes, it takes more street smarts than intellectual smarts to be really successful. A bit of ruthlessness, as Dickens would point out. And businesspeople have to be risk takers.
Not that Tom is ruthless (even though he's fallen from grace so to speak in my eyes because of the way he treats Maggie), but he's willing to take a bit of a risk. And I will give him credit - he does it the right way - risk based on knowledge, not merely gambling.

As much as Tom himself is unlikable, it was a pleasant surprise when things actually did end up working out to his advantage and favor, and the possibly of hope for his family's future prospects is given.


I'm probably being a bit too harsh on Tom. And yes, I was happy for him when he became successful in business. He does work hard, and tries to do what is "right." But he is definitely too rigid.

That's an interesting point, Madge.
Although fallen in a societal sense rather than in a religious sense.

I also think how it is quite interesting the way in which the characters of Maggie and Tom seem to be reflective of traditional/stereotypical views of Adam and Eve. In a way Tom makes me think of Milton's portrayal of Adam. Adam/Man was characterized as being creatures of reason and rational thought, ruled more by their minds. While Eve/Woman was characterized as being a more emotional creatures whom were ruled more by their hearts.
Also Eve takes the greater part of the blame for the fall, and women are seen as being more susceptible/ weaker to falling into temptation. And while Maggie literally speaking cannot be blamed in any way for what happened to the Tulliver family, her behavior is looked down upon and criticized by the family, and particularly her brother. Her love for learning is seen as something that will lead her astray, and of course her relationship with Philip, Tom sees as being a betrayal of the feeling.
In a sense Maggie is seen as being "sinful" and her sinful ways could reflect badly upon Tom and the Tuillver name (at least in the eyes of Tom) and in this way she could bring the family down while Tom is attempting to save them.


From the Tulliver point of view, probably Wakem. In sticking with the Adam and Eve comparison, it was Wakem, who led the Tuilliver's into their downfall (at least from their viewpoint) and now Phillip is "luring" Maggie away causing her to act in a way viewed as inappropriate, in having secret meetings with the "enemy" or at least the enemies spawn. And she is made to swear upon a Bible never to see him again (at least not without her brother knowing about it.)

There are more biblical references in Chapter 3 where she is affected by Kempis' the The Imitation of Christ and responds enthusiastically to its theme of renunciation. This chapter also seems to deal with the position of Victorian young women generally, their lack of intellectual stimulus and the constraints imposed upon them by society: 'the irreversible laws within and without' which direct their appropriate behaviour. Maggie is Bob's 'directing Madonna' and she his 'worshipper'. She is the wicked Eve seeking forbidden 'masculine wisdom', nibbling at 'this thick rinded fruit of the tree of knowledge' and fearing that she may become a 'demon'.


You make a good point about Tom. Book learning, and learning about such things which seem irrelevant to him may not be his strong point. It is a mistake to presume that he is in fact stupid, or lacking in intelligence. In comparison to Maggie and Phillip it does make him appear to be rather intellectual inept. But he does prove to be knowledgeable and smart within the working world.
While on the other Maggie and Phillip can both seen as incapable or less capable of functioning within the world and society. Maggie acts too much upon the impulse of her emotions so she always ends up having contrary results to those she wants, while Phillip because of his deformity was kept pampered and sheltered by his father and not really expected to ever have to do anything with his life but what pleases him.

So, I looked in the stacks in the library, and neither book of critical essays that I found specifically mentioned that topic with regard to Mill on the Floss. However, there was one that talked about Silas Marner and a "divided Eden" that mentioned Mill on the Floss as well. But it would require a spoiler. As we get to the end of the book, I'll try to remember to post about what it said.
One thing that I did find that I thought was interesting was about Maggie's dark hair.
The essay is called "The Chains of Semiosis: Semiotics, Marxism, and the Female Stereotypes in The Mill on the Floss" by Jose Angel Garcia Landa.
He writes, "her hair, most notably becomes an emblem of her irrepressible, mouldbreaking vitality" (76).
Then, he references the following passage between Maggie and Philip:
"Take back your Corinne...I didn't finish the book," said Maggie. "As soon as I came to the blond-haired young lady reading in the park, I shut it up, and determined to read no further. I foresaw that that light-complexioned girl would win away all the love from Corinne and make her miserable. I'm determined to read no more books where the blond-haired women carry away all the happiness. I should begin to have a prejudice against them. If you could give me some story, now, where the dark woman triumphs, it would restore the balance. I want to avenge Rebecca and Flora MacIvor and Minna, and all the rest of the dark unhappy ones. Since you are my tutor, you ought to preserve my mind from prejudices; you are always arguing against prejudices.""Well, perhaps you will avenge the dark women in your own person, and carry away all the love from your cousin Lucy. She is sure to have some handsome young man of St. Ogg's at her feet now; and you have only to shine upon him–your fair little cousin will be quite quenched in your beams."
He says about the passage, "This is an astonishing passage, where the character denounces a literary stereotype of which she is herself an instance, used in a deliberate and self-conscious way by Eliot...The dark heroines are not merely powerfully sexed; they also have a strong will; they tend to be self-assertive, courageous and demanding...But George Eliot does more than recognize and denounce the stereotype; she uses it. By means of Maggie's rejection of the stereotype, Eliot deprives it of any real basis; but that does not prevent her from exploiting it in the construction ofMaggie...Maggie Tulliver becomes an intertextual heroine; the unconsciously accumulated image of female subjection speak through her in a new way" (77).
I think that we can also connect it to the portrayals of Eve as "dark," a temptress and seductress, the one who brings down the fall of mankind. As compared to Mary in the New Testament, who is virginal and pure...i.e., light.

And the other world of practical, merchantile ambition where the purpose of knowledge is to accomplish an end with it; double entry book keeping, or how to use a compass and a chart, or how to design machinery or calculate freight costs accurately. "
Nice points. Both types of education are important, and it is possible to marry the two. Unfortunately, each mocks the other.
I'm finding it difficult to figure out which side Eliot is on. At times, she seems to mock abstract knowledge or the inability of teachers to marry abstract knowledge with practical knowledge. But then, there is Tom, who has practical knowledge, but who is rigid and uncompassionate because he lacks true understanding.

Perhaps she is not really meaning to choose one side over the other or declare one being better than the other, but rather showing the advantages and disadvantages of both types of educations. It may be that she is suggesting that a person needs or at least should have both types of education to be able to function fully in the world.
In order to be compassionate and better relate to and understand other people, one needs to have a grasp upon more abstract knowledge. But if one had only this, they may not fully understand the reality of the way the world functions. And if one possess only practical knowledge while it will help them to be more successful in the world at large, it will render them in able to sympathetic with others and to try and understand things from another's point of view.
Maggie and Tom are both flawed in their own ways, and they both lack a balance in their education.

I agree and concur. A great observation!

For the most part, at this point in time, almost all of the books are written by men. Therefore, men get to define societal beliefs and the role of women. In addition, since it is male teachers who interpret these male works, females are completely left out of constructing themselves or the world around them.
Maggie breaks that cycle in part by reading on her own. She can draw her own conclusions based on her own interpretations.
And of course, female writers in Eliot's time begin to write against this male construct, and begin to define themselves and society/culture.
Also, in a way, female writers serve as teachers, because books are the basis of education.
A Variation of Protestantism Unknown to Bossuet
The Torn Nest Is Pierced by the Thorns
A Voice from the Past
Book V: Wheat and Tares
In the Red Deeps
Aunt Glegg Learns the Breadth of Bob's Thumb
The Wavering Balance
Another Love-Scene
The Cloven Tree
The Hard-Won Triumph
A Day of Reckoning