
“Body in Abyss, Heart in Paradise.”
― Heaven's Official Blessing I - [天官赐福 I]
― Heaven's Official Blessing I - [天官赐福 I]

“…There is the heat of Love, the pulsing rush of Longing, the lover’s whisper, irresistible—magic to make the sanest man go mad.”
― The Iliad
― The Iliad

“no one should be allowed to stop in one place any longer than necessary. A man isn’t a tree, and being settled in one place is his misfortune. It saps his courage, breaks his confidence. When a man settles down somewhere, he agrees to any and all of its conditions, even the disagreeable ones, and frightens himself with the uncertainty that awaits him. Change to him seems like abandonment, like a loss of an investment: someone else will occupy his domain, and he’ll have to begin again. Digging oneself in marks the real beginning of old age, because a man is young as long as he isn’t afraid to make new beginnings. If he stays in the same place, he has to put up with things, or take action. If he moves on, he keeps his freedom; he’s ready to change places and the conditions imposed on him.”
― Death and the Dervish
― Death and the Dervish

“Confusion is a luxury which only the very, very young can possibly afford and you are not that young anymore”
― Giovanni’s Room
― Giovanni’s Room

“You do not,’ cried Giovanni, sitting up, ‘love anyone! You never have loved anyone, I am sure you never will! You love your purity, you love your mirror—you are just like a little virgin, you walk around with your hands in front of you as though you had some precious metal, gold, silver, rubies, maybe diamonds down there between your legs! You will never give it to anybody, you will never let anybody touch it—man or woman. You want to be clean. You think you came here covered with soap and you think you will go out covered with soap—and you do not want to stink, not even for five minutes, in the meantime.’ He grasped me by the collar, wrestling and caressing at once, fluid and iron at once: saliva spraying from his lips and his eyes full of tears, but with the bones of his face showing and the muscles leaping in his arms and neck. ‘You want to leave Giovanni because he makes you stink. You want to despise Giovanni because he is not afraid of the stink of love. You want to kill him in the name of all your lying little moralities. And you—you are immoral. You are, by far, the most immoral man I have met in all my life. Look, look what you have done to me. Do you think you could have done this if I did not love you? Is this what you should do to love?”
― Giovanni’s Room
― Giovanni’s Room
Milčo’s 2024 Year in Books
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