

“Your ridiculous family might be surprised to find that not everything is solved by murder,” Locke calls after me.
“We would be surprised to find that,” I call back.”
― The Wicked King
“We would be surprised to find that,” I call back.”
― The Wicked King

“But if you stay, no part of this comm gets to decide that any part of this comm is expendable. No voting on who gets to be people.”
― The Obelisk Gate
― The Obelisk Gate

“This sentence has five words. Here are five more words. Five-word sentences are fine. But several together become monotonous. Listen to what is happening. The writing is getting boring. The sound of it drones. It’s like a stuck record. The ear demands some variety. Now listen. I vary the sentence length, and I create music. Music. The writing sings. It has a pleasant rhythm, a lilt, a harmony. I use short sentences. And I use sentences of medium length. And sometimes, when I am certain the reader is rested, I will engage him with a sentence of considerable length, a sentence that burns with energy and builds with all the impetus of a crescendo, the roll of the drums, the crash of the cymbals–sounds that say listen to this, it is important.”
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