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“(Mma Ramotswe thinking about what her father taught her…)
“Having the right approach to life was a great gift in this life….Do not complain about your life. Do not blame others for things that you have brought upon yourself. Be content with who you are and where you are, and do whatever you can do to bring to others such contentment, and joy, and understanding that you have managed to find yourself…You can do that in the company of an old friend—you can close your eyes and think of the land that gave you life and breath, and of all the reasons why you are glad that you are there, with the people you know, with the people you love.”
― The Double Comfort Safari Club
“Having the right approach to life was a great gift in this life….Do not complain about your life. Do not blame others for things that you have brought upon yourself. Be content with who you are and where you are, and do whatever you can do to bring to others such contentment, and joy, and understanding that you have managed to find yourself…You can do that in the company of an old friend—you can close your eyes and think of the land that gave you life and breath, and of all the reasons why you are glad that you are there, with the people you know, with the people you love.”
― The Double Comfort Safari Club

“Great feuds often need very few words to resolve them. Disputes, even between nations, between peoples, can be set to rest with simple acts of contrition and corresponding forgiveness, can so often be shown to be based on nothing much other than pride and misunderstanding, and the forgetting of the humanity of the other—and land, of course.”
― The Good Husband of Zebra Drive
― The Good Husband of Zebra Drive

“--a drive in the country, an expedition to a shoe shop a quiet cup of tea under a cloudless sky; each of us had something that made it easier to continue in a world that sometimes, just sometimes, was not as we might wish it to be.”
― The Saturday Big Tent Wedding Party
― The Saturday Big Tent Wedding Party

“Clara Morrow had painted Ruth as the elderly, forgotten Virgin Mary. Angry, demented, the Ruth in the portrait was full of despair, of bitterness. Of a life left behind, of opportunities squandered, of loss and betrayals real and imagined and created and caused. She clutched at a rough blue shawl with emaciated hands. The shawl had slipped off one bony shoulder and the skin was sagging, like something nailed up and empty.
“And yet the portrait was radiant, filling the room from one tiny point of light. In her eyes. Embittered, mad Ruth stared into the distance, at something very far off, approaching. More imagined than real.
Hope.
Clara had captured the moment despair turned to hope. The moment life began. She’d somehow captured Grace.”
― The Brutal Telling
“And yet the portrait was radiant, filling the room from one tiny point of light. In her eyes. Embittered, mad Ruth stared into the distance, at something very far off, approaching. More imagined than real.
Hope.
Clara had captured the moment despair turned to hope. The moment life began. She’d somehow captured Grace.”
― The Brutal Telling
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