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Virtuoso
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by Yelena Moskovich (Goodreads Author)
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  (page 95 of 250)
Aug 17, 2025 06:49AM

 
The Early Diary o...
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  (page 111 of 320)
Jun 21, 2025 08:23AM

 
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Olga Tokarczuk
“You know what, sometimes it seems to me we're living in a world that we fabricate for ourselves. We decide what's good and what isn't, we draw maps of meanings for ourselves... And then we spend our whole lives struggling with what we have invented for ourselves. The problem is that each of us has our own version of it, so people find it hard to understand each other.”
Olga Tokarczuk, Drive Your Plow Over the Bones of the Dead

“As my own neurosis became more subdued I found myself unconsciously drawn to female characters who exhibited signs of behaviors I had recognized in myself: repression, delusion, jealousy, paranoia, hysteria. But these issues didn’t magically disappear; they just became buried beneath business and activity, and came back to sideswipe me at inopportune moments.
We have more patience, or perhaps more empathy, for fictional characters than we do their real-life counterparts. Faced with neurosis in film and literature, we want to investigate rather than avoid. If watching horror films is cathartic because it provides a temporary feeling of control over the one unknown factor that can’t be controlled (death), then wouldn’t it make sense that a crazy person would find relief in onscreen histrionics?”
Kier-La Janisse, House of Psychotic Women: An Autobiographical Topography of Female Neurosis in Horror and Exploitation Films

Anaïs Nin
“There is a fissure in my vision and madness will always rush through.”
Anaïs Nin, House of Incest

Anaïs Nin
“Love never dies a natural death. It dies because we don't know how to replenish its source. It dies of blindness and errors and betrayals. It dies of illness and wounds; it dies of weariness, of witherings, of tarnishings.”
Anais Nin

Anaïs Nin
“I will always be the virgin-prostitute, the perverse angel, the two-faced sinister and saintly woman.”
Anais Nin, Henry & June

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