Srishti Chowdhury

“What if all possible
pain was only the grief of truth?”
― Brenda Shaughnessy, Our Andromeda

“It seems unlikely that so much literature
could be made from twenty-six letters.
Doesn't it seem it could all be boiled
down to one sentence?”
― Brenda Shaughnessy, Our Andromeda

“I’ve been looking at all the ordinary staples of flirting," says Julia, "like biting your lip and looking away just a second too late, and laughing a lot and finding every excuse to touch, light fingertips on a forearm or a thigh that emphasize and punctuate the laughter. I’ve been thinking about what a comfort these things are, these textbook methods, precisely because they need no decoding, no translation. Once, a long time ago, you could probably bite your lip and it would mean, I am almost overcome with desiring you. Now you bite your lip and it means, I want you to see that I am almost overcome with desiring you, so I am using the plainest and most universally accepted symbol I can think of to make you see. Now it means, Both of us know the implications of my biting my lip, and what I am trying to say. We are speaking a language, you and I together, a language that we did not invent, a language that is not unique to our uttering. We are speaking someone else’s lines. It’s a comfort.”
― Eleanor Catton, The Rehearsal

“This is a story, told the way you say stories should be told: Somebody grew up, fell in love, and spent a winter with her lover in the country. This, of course, is the barest outline, and futile to discuss. It’s as pointless as throwing birdseed on the ground while snow still falls fast. Who expects small things to survive when even the largest get lost? People forget years and remember moments. Seconds and symbols are left to sum things up: the black shroud over the pool. Love, in its shortest form, becomes a word. What I remember about all that time is one winter. The snow. Even now, saying “snow,” my lips move so that they kiss air. No mention has been made of the snowplow that seemed always to be there, scraping snow off our narrow road — an artery cleared, though neither of us could have said where the heart was.”
― Ann Beattie, Where You'll Find Me and Other Stories