Max

“A fictional narrative is considered nuanced when it includes contradictions, but a narrative of trauma is ill-advised to do the same.”
― Esmé Weijun Wang, The Collected Schizophrenias: Essays

“Eventually you can't help but figure out that, while gender is a construct, so is a traffic light, and if you ignore either of them, you get hit by cars. Which, also, are constructs.”
― Imogen Binnie, Nevada

“ 'In our inmost and secret heart, which you ask us to bare to you, we wish to banish them as we were banished, to a cold and lonely house, in the charge of a man who hated us. And we wish them trapped there as we were trapped.'

'You consider that unjust, Serenity?'

'We consider it cruel,' Maia said. 'And we do not think that cruelty is ever just.' ”
― Katherine Addison, The Goblin Emperor

“Stronger than rage, astonishment, contempt, the pleasurable sense that at last she had slapped Frederick's face, the less pleasurable surmise that his slap back would be longer-lasting; stronger even than the desire to see Minna was her feeling that of all things, all people, she most at this moment wished to see Ingelbrecht, and the sturdy assurance that she would find in him everything that she expected. If she had gone up the stairs in the rue de la Carabine on her knees, she could not have ascended with a more zealotical faith that there would be healing at the top; and when he opened the door to her, enquiring politely if her errands had gone well she replied with enthusiasm, "Perfectly. My husband--it was he I went to see--has just threatened to cut me off with a penny."

"A lock-out," said Ingelbrecht. "Very natural. It is a symptom of capitalistic anxiety. I suppose he has always been afraid of you."

She nodded, and her lips curved in a grin of satisfaction.”
― Sylvia Townsend Warner, Summer Will Show