Alan Rodriguez Tiburcio

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The Case for God
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Anna Karenina
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The Gay Science: ...
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Gilles Deleuze
“So it’s not a problem of getting people to express themselves but of providing little gaps of solitude and silence in which they might eventually find something to say. Repressive forces don’t stop people expressing themselves but rather force them to express themselves; What a relief to have nothing to say, the right to say nothing, because only then is there a chance of framing the rare, and ever rarer, thing that might be worth saying.”
Gilles Deleuze, Negotiations 1972-1990

Oscar Wilde
“They say that love hath a bitter taste.... But what matter? What matter? I have kissed thy mouth.”
Oscar Wilde, Salomé

Leon Trotsky
“A revolution is always distinguished by impoliteness, probably because the ruling classes did not take the trouble in good season to teach the people fine manners.”
Leon Trotsky, History of the Russian Revolution

Kurt Vonnegut Jr.
“Eight rules for writing fiction:

1. Use the time of a total stranger in such a way that he or she will not feel the time was wasted.

2. Give the reader at least one character he or she can root for.

3. Every character should want something, even if it is only a glass of water.

4. Every sentence must do one of two things -- reveal character or advance the action.

5. Start as close to the end as possible.

6. Be a sadist. Now matter how sweet and innocent your leading characters, make awful things happen to them -- in order that the reader may see what they are made of.

7. Write to please just one person. If you open a window and make love to the world, so to speak, your story will get pneumonia.

8. Give your readers as much information as possible as soon as possible. To heck with suspense. Readers should have such complete understanding of what is going on, where and why, that they could finish the story themselves, should cockroaches eat the last few pages.”
Kurt Vonnegut, Bagombo Snuff Box

Alenka Zupančič
“Negativity, lack, dissatisfaction, unhappiness, are perceived more and more as moral faults-worse, as a corruption at the level of our very being or bare life.”
Alenka Zupančič, The Odd One In: On Comedy

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