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A Discovery of Wi...
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by Deborah Harkness (Goodreads Author)
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  (page 318 of 592)
Feb 03, 2016 04:28PM

 
Pride and Prejudi...
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Feb 03, 2016 04:23PM

 
The Bell Jar
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Alice Oseman
“In the end, that was the problem with romance. It was so easy to romanticise romance because it was everywhere. It was in music and on TV and in filtered Instagram photos. It was in the air, crisp and alive with fresh possibility. It was in falling leaves, crumbling wooden doorways, scuffed cobblestones and fields of dandelions. It was in the touch of hands, scrawled letters, crumpled sheets and the golden hour. A soft yawn, early morning laugher, shoes lined up together dy the door. Eyes across a dance floor. I could see it all, all the time, all around, but when I got closer, I found nothing was there.”
Alice Oseman, Loveless

Sarah Gailey
“The way I see it, you mostly stop loving a person the same way you stop respecting them. It can happen all at once if something enormous and terrible falls over the two of you. But for the most part, it happens in inches. In a thousand tiny moments of contempt that unravel the image you had of the person you thought you knew.”
Sarah Gailey, The Echo Wife

Anna Pitoniak
“Stella was the vine wrapped around the limbs of my tree, and even though I had branches that were dead and dangling and should have fallen off long ago, she kept them in place.”
Anna Pitoniak, Necessary People

Nadine Matheson
“I always find it odd when people say that of the dead. They had their whole life ahead of them. Clearly, they didn't because they're dead. We may not like the method of disposal but when it's your time to go, then it's your time to go.”
Nadine Matheson, The Jigsaw Man

Natalie Haynes
“Every myth contains multiple timelines within itself: the time in which it is set, the time it is first told, and every retelling afterwards. Myths may be the home of the miraculous, but they are also mirrors of us. Which version of a story we choose to tell, which characters we place in the foreground, which ones we allow to fade into the shadows: these reflect both the teller and the reader, as much as they show the characters of the myth. We have made space in our storytelling to rediscover women who have been lost or forgotten. They are not villains, victims, wives and monsters: they are people.”
Natalie Haynes, Pandora's Jar: Women in the Greek Myths

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Scary Stories to Tell in the Dark by Alvin Schwartz
Halloween And Fall Books
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