Binu Sivan

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Reading Like a Wr...
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Crime and Punishment
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William Trevor
“The wife he had first chosen had dressed drably: from silence and inflexious--more than from words--he learned that now. Her grey hair straggled to her shoulders, her back was a little humped. He poked his way about, and they were two old people when they went out on their rounds, older than they were in their ageless happiness. She wouldn't have hurt a fly, she wasn't a person you could be jealous of, yet of course it was hard on a new wife to be haunted by happiness, to be challenged by the simplicities there had been. He had given himself to two women; he hadn't withdrawn from the first, he didn't from the second.
Each house that contained a piano brought forth its contradictions. The pearls old Mrs. Putrill wore were opals, the pallid skin of the stationer in Kiliath was freckled, the two lines of oaks above Oghill were surely beeches? 'Of course, of course,' Owen Dromgould agreed, since it was fair that he should do so. Belle could not be blamed for making her claim, and claims could not be made without damage or destruction. Belle would win in the end because the living always do. And that seemed fair also, since Violet had won in the beginning, and had had the better years."

--"The Piano Tuner's Wives”
William Trevor, Selected Stories

William Trevor
“It should be an explosion of truth. Its strength lies in what it leaves out just as much as what it puts in, if not more.”
William Trevor

William Trevor
“She is embarrassed to be alive and no one on earth can fully console her.”
William Trevor, The Boarding-House

William Trevor
“The flies of some other summer darkening its windowsills.”
William Trevor

William Trevor
“The more he asked about her childhood at Cloonhill the more Ellie loved her interrogator. No matter how strange he still sometimes seemed, she felt as if all her life she had known him. The past he talked about himself became another part of her: The games he had played alone, the untidy rooms of the house he described, the parties given, the pictures painted. Being with him in the woods at Lyre, where the air was cold and the trees imposed a gloomy darkness, or walking among the monks' graves, or being with him anywhere, telling or listening, was for Ellie more than friendship, or living, had ever been before.”
William Trevor, Love and Summer

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