Laurie Perez
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May 2016
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“People outside the industry pruriently ask how he gets through sex scenes, nudity, baring it physically. They miss the point.
Sure, that takes some courage. But, man, it’s ALL like that. Try crying in front of sixty-three people, most of whom are there to do jobs like lighting your face so the tears are in focus while the snot and spit fall behind — or surrounding you with mics to make sure the sound of your sobbing, disconsolate self falling apart is picked up cleanly, so you won’t have to dub over it in post six months later. That crew of people, expertly watching you turn feral with the grief that’s causing your character to make monumentally bad decisions leading to the epiphany that finally turns it around in the third act. Could anything be more naked, more intimate than tearing your soul inside out in service to the story? It’s tantric. Visceral.” Laurie Perez |
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“Each time, the fall looked brilliant and effectively dangerous against the green screen, but he wasn’t satisfied until he stuck the landing and heard the rebound clap. Everyone from riggers to grips marked the occasion with good, honest cheers reverberating in the giant, hollow cube.”
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“There was always a solution. Sometimes you had to leave your mind behind, let the ground give out beneath you until a rope of clues appeared and pulled the answer to you.”
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“We pick up our shots and for the first time there's a total absence of sound in the room. From the ceiling, shy silver things blink and wait. Dennis doesn't sit, but hovers at the edge of the table, leaning in with a darkroom perfected slump. His hair hangs like its edges were dipped in lead. Thin spears pointing to the table. I'm looking at his face; we're both serious in a self-aware way, pretending not to notice.
"It doesn't even feel like I left. God, you look fucking terrible. But it's a terrible face that drinks tequila well. Down. And cheers."
We force a dull clash of cups and pour everything down at once. The hard tequila shudders that never happen in the movies. First your head feels light, then it starts receiving the distress signals from throat, lungs, belly. Your shoulders jerk to shake off the snake that wrapped around you and squeezed. It burns. The good burn.”
― Torpor: Though the Heart Is Warm
"It doesn't even feel like I left. God, you look fucking terrible. But it's a terrible face that drinks tequila well. Down. And cheers."
We force a dull clash of cups and pour everything down at once. The hard tequila shudders that never happen in the movies. First your head feels light, then it starts receiving the distress signals from throat, lungs, belly. Your shoulders jerk to shake off the snake that wrapped around you and squeezed. It burns. The good burn.”
― Torpor: Though the Heart Is Warm
Topics Mentioning This Author
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“This is no ordinary gallery; a stellar infinity impeccably well-organized to harbor spontaneity.”
― The Look of Amie Martine
― The Look of Amie Martine
“Corporeal reality is much more rich and precious than we realize. It feels good to have a body, to surge on currents of emotion, to have nerve endings, mitochondria in our cells, tangible focused energy, the embodiment of light — given a voice.”
― The Look of Amie Martine
― The Look of Amie Martine
“Even as grief flickers in me, I feel something like a first kiss happening — a meeting with someone dearly amazing, life-changing, lucky....”
― The Look of Amie Martine
― The Look of Amie Martine

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