Matt Rees's Blog - Posts Tagged "pulitzer-prize"

On the My Book, The Movie blog, I was asked to write about who I'd choose to play Omar Yussef in the movies. Here's what I wrote:

I had no need to think of an actor. Not until I’d finished writing the book. Then the thinking really started.

The Palestinian sleuth who's the hero my books, Omar Yussef, is based on a real Palestinian friend of mine who lives in the Dehaisha Refugee Camp on the edge of Bethlehem in the West Bank. I had no problem visualizing him when I wrote about Omar, because I saw him most days. We spent a lot of time together and, with a gentleman as frequently cantankerous as my real-life chum, believe me, I got the full tour.

Then came publication of the first of my Palestinian crime novels, The Collaborator of Bethlehem. The estimable Marshal Zeringue invited me to write a post for this blog. Instead of having a famous actor always in mind, I had to run through potential candidates.

My wife insisted Pacino was just right for Omar. But I preferred the quiet, gentle Swiss actor Bruno Ganz – who proved he could do cantankerous when he played Hitler a few years ago in Downfall.

At the Leipzig Book Fair last year, my Berlin-based film agent chatted with me about some negotiations with a German tv channel which wanted to make a series based on Omar. As we talked, crowds of local kids dressed in “Manga” costume milled about (apparently this is some Japanese animation thing that has cult dressing-up status among people young enough to make me feel very old.) He asked if I had an actor in
mind for Omar. I mentioned Ganz.

“No, it won’t work,” Roland said.

“Why not?” I asked, as I was bumped from behind by some German kid dressed up as a vampire samurai.

“He’s not Arab. It really ought to be an Arab. But it’s difficult to find an Arab actor who’s well-known enough to carry a production and also speaks German.”

“So Pacino’s out too, I guess.”

“Well, movies are different from tv,” he said, “and if it sold in America, things might be different, too.”

I think they might be different now that The Fourth Assassin has been released. In this new installment of my Palestinian series, Omar comes to New York for a UN conference, only to uncover an assassination plot. The suspect: his own son.

I’d guess the New York setting might make the series seem just that little bit less dauntingly foreign – without betraying its core and making it into just another American detective story.

Which leaves me free to name names.

So here it is: Tony Shalhoub. He showed great dramatic range in The Siege, which was written by Lawrence Wright, a journalist colleague of mine who later won a Pulitzer for The Looming Tower, a nonfiction account of the story behind the 9/11 terrorists. Shalhoub had a nice cameo in 1408, an otherwise typically over the top Stephen King thing. I don’t really watch tv, but I gather Monk is great.

Oh, and I forgot to mention: Tony Shalhoub’s an Arab. He’s descended from Lebanese immigrants.

I hope that’s good enough. I mean, don’t make me find an actor big enough to carry a Hollywood movie who’s actually Palestinian…

JERUSALEM — Time was anyone with an interest in the Middle East could be guaranteed a couple of books a year would be brought out by U.S. journalists based in the region. Now many of those correspondents are history, with news bureaus closing and those that remain cutting back. The new books written by Americans tend to be by think-tank types or others whose agenda is hard to figure out.

But you know that already. It’s one reason you’re reading GlobalPost, which was founded partially to replace the disappearing corps of U.S. foreign correspondents. [That's where I first posted this.]

So GlobalPost has solved your journalism problem. But, still, what’re you going to do about the books? With a book written by a foreign correspondent you couldn’t always be sure of a good read —I’ve ploughed through some stinky “notebook dumps” in my time by reporters who padded pages with meaningless tales of their Palestinian and Israeli “friends” — but you at least knew that it was by a responsible journalist answerable to editors and readers even for his extracurricular writings. Not so with think-tank academics whose financing and agenda can make for deeply skewed accounts.

The answer: Europeans. A new book demonstrates what I’m talking about.

“Hold onto Your Veil, Fatima!” is an expose of contemporary Egypt that’s at once harrowing and humorous by Sanna Negus, a reporter for Finland’s YLE Radio and TV.

Negus came to the Middle East in the mid-1990s for graduate studies in Cairo, largely because she wanted to learn an unusual language and figured Arabic fit the bill. (It’s not as unusual as Finnish, but then she already had that covered.) She returned to Cairo, working for the English-language Cairo Times and staying for a decade as YLE’s correspondent. She’s been based in Jerusalem the last two years. (Lawrence Wright, who won a Pulitzer for “The Looming Tower: al-Qaeda and the Road to 9/11,” writes in the book’s foreword that Negus is “one of the most informed and well-connected reporters in the region.”)

Read the rest of this post on my blog The Man of Twists and Turns.