At first when I thought about this topic, I thought I didn't have any established method for organizing a story. Thinking about it I discovered maybe I do, I just approach it from a different angle each time. It's like a macramé where an assortment of threads are wrapped, knotted, or twisted together and in different directions to create a finished design.

For me, usually a vague, downtrodden female character arrives first. That sounds very gender divisive, but in defense of my genderism, I do tend to write for female readers, and also want to relay that I have recently had a male character emerge along with a story idea and a crew of associates. Since I've been writing, I've also had secondary characters from one story attract my attention, which has led to their own story and the creation of a series of related stories. I think good stories are made to promote growth of thought and ideas for both reader and author, so maybe this is normal.

After characters comes determining a rough story idea and where the story will take place. I do tend to follow the advice in Propp's Morphology of the Folk Tale, Chistopher Vogler's The Writer's Journey, and Joseph Campell's The Hero With a Thousand Faces, so one of the next steps is to find characters who will become allies, antagonists, mentors, gatekeepers, or other archetypes. I often worry about my characters being too much alike since they are coming from the same brain, so I have used John M. Oldham, M.D. and Lois B. Morris' Personality Self-Portrait, Why You Think, Work, Love and Act the Way You Do, to help structure some of my characters.

Then I think about a world where these characters and their story takes place. From my previous stories, I have created my writing worlds based on different readings, too, one a galactic world and another a fantasy world for stories, and continue to use these worlds, but new locations pop up in these two very different types of worlds. World creation takes place in any Earth-bound story, too, because all locations and local cultures differ. If these do not have a ring of truth for the reader, they will be disenchanted with the world.

I've read about authors being either pantsers or plotters, but think I am a blend of the two, leaning toward being a plotter. I do map out a general outline from start to finish including all my ideas about the story and where it might go, including points of tension, the trials and triumphs, but once I start writing things always go in very different directions during the process. Sometimes I need to take a break from a story and think about what has happened and where those events might lead. It can be a slow process.

Please visit these other participants and read their views on this topic:
Skye Taylor
Dr. Bob
A.J. Maguire
Marci Baun
Beverley Bateman
Margaret Fieland
Connie Vines
Judy Copek