No one cares what you hate on social media. Or at least they shouldn’t. But as the anonymity of the Internet offers up permission to people to be the worst versions of themselves, the exact opposite may be happening to professional critics of music, film and culture. In other words, they are getting nicer. In the New Yorker, this shift of ​how music critics “lost their edge“​ is explored in an article this week:

“The idea that people’s tastes have a right not to be criticized is, of course, q...