Alecia Flores
asked
Lois McMaster Bujold:
I read the post on FB regarding Penric 14, (& was thrilled); the idea of it not having a title yet made me wonder; I've read about authors who start with a title before, but not one who ended with one. Is this an authorial quirk?
Lois McMaster Bujold
For me, it varies from story to story. Sometimes the title arises early in the writing process -- "Penric and the Bandit" actually had its title first. "The Warrior's Apprentice" came up about Chapter 5, as I recall, and stuck. Other times, a tale will arrive at its end with none, or a joke working title -- "Ivan, His Booke", "Miles to Go", "Cordelia on Sergyar" -- and I have to flail around, like now, to come up with anything satisfactory. (I think I've finally settled on "The Adventure of the Demonic Ox", unless something obviously better comes along before the cover art and final edit are done.)
"A Civil Campaign" was another late entry. It went through its whole composition joke-titled "ImpWed". I thought I had it nailed when a clever friend suggested "Rules of Engagement" but it turned out Elizabeth Moon had a book already in Baen's publishing pipeline with that title, so it was back to the drawing board. After some more flailing, I drew inspiration from Heyer's "A Civil Contract" (which has a nice double meaning for its book), retooled for Miles's military madness. I'm actually happier with it now, as no other book has the same much-used title.
Ta, L.
For me, it varies from story to story. Sometimes the title arises early in the writing process -- "Penric and the Bandit" actually had its title first. "The Warrior's Apprentice" came up about Chapter 5, as I recall, and stuck. Other times, a tale will arrive at its end with none, or a joke working title -- "Ivan, His Booke", "Miles to Go", "Cordelia on Sergyar" -- and I have to flail around, like now, to come up with anything satisfactory. (I think I've finally settled on "The Adventure of the Demonic Ox", unless something obviously better comes along before the cover art and final edit are done.)
"A Civil Campaign" was another late entry. It went through its whole composition joke-titled "ImpWed". I thought I had it nailed when a clever friend suggested "Rules of Engagement" but it turned out Elizabeth Moon had a book already in Baen's publishing pipeline with that title, so it was back to the drawing board. After some more flailing, I drew inspiration from Heyer's "A Civil Contract" (which has a nice double meaning for its book), retooled for Miles's military madness. I'm actually happier with it now, as no other book has the same much-used title.
Ta, L.
More Answered Questions
Sybal Janssen
asked
Lois McMaster Bujold:
There are four writers that I reread and reread because their use of language sparkles for me in a special way. Those four are yourself, Patrick O'Brian, Terry Pratchett, and Vladimir Nabokov. In general would you say that your sentences just flow while you are engaged with the imagination, or do you spend a lot of time reworking your sentences to strike the exact note? LOL probably a question with no answer.
Matt
asked
Lois McMaster Bujold:
Hi I'm writing a fantasy short story and I'm unsure how to write a main character having a flashback as someone else. Say if the characters name is John and he's having a flashback as another chara called Sally do I use John said or Sally said within the flashback? Cheers
Steven Sarafian
asked
Lois McMaster Bujold:
I gather that there is a nod to Lady Peter Wimsey (Harriet Vane) in Ekaterine Vorvayne. But is there a reverse homage (as far as you know) when Harriet makes it a major project to herself create a garden in the footprint or outline of the burnt-out wing of Duke's Denver (in Jill Paton Walsh's "The Attenbury Emeralds")?
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May 30, 2025 03:32PM · flag
“The Adventure of the Demonic Ox” is quite striking and seems a good title, though of course I’m sti ...more
May 30, 2025 03:37PM · flag
Ta, L. ...more
May 31, 2025 05:40PM · flag