Lily And The Octopus Quotes

“Okay.' I can feel the letters vomit off my tongue.
O.
K.
A.
Y.
I watch the vet insert the syringe into the catheter and inject the second drug. And then the adventures come flooding back:

The puppy farm.
The gentle untying of the shoelace.
THIS! IS! MY! HOME! NOW!
Our first night together.
Running on the beach.
Sadie and Sophie and Sophie Dee.
Shared ice-cream cones.
Thanksgivings.
Tofurky.
Car rides.
Laughter.
Eye rain.
Chicken and rice.
Paralysis.
Surgery.
Christmases.
Walks.
Dog parks.
Squirrel chasing.
Naps.
Snuggling.
'Fishful Thinking.'
The adventure at sea.
Gentle kisses.
Manic kisses.
More eye rain.
So much eye rain.
Red ball.

The veterinarian holds a stethoscope up to Lily's chest, listening for her heartbeat.
All dogs go to heaven.
'Your mother's name is Witchie-Poo.' I stroke Lily behind her ears the way that used to calm her. 'Look for her.'
OH FUCK IT HURTS.
I barely whisper. 'She will take care of you.”
― Steven Rowley, Lily and the Octopus

“But until this night, she had never once actually wet the bed. And now that she has, we just lie there in the accident, and the minutes of the clock keep changing, and the love I have for her keeps growing, and we both keep drawing breath.
What was so horrible about it? Why had I always been so angry? What was my need to always be right? To win every argument with her? To out-stubborn a dog?
And just like that, all the anger is gone. Released like the emptying of a bladder into soft cotton sheets as we lie in the wetness.”
― Steven Rowley, Lily and the Octopus

“There's no shame in surrender when it's time to stop fighting.”
― Steven Rowley, Lily and the Octopus

“I think about all the people I need to forgive.
My mother for not saying she loves me? We're too often guilty of thinking that our parents arrived on this planet as fully functioning adults on the day that we were born. That they don't have pasts of their own prior to our birth. That the father is not also a son, that the mother is not also a child. My mother had a tough beginning, enduring things I know little about. And yet I more often discount her pain and overvalue mine. This is suddenly funny to me, ridiculously selfish, and I laugh and the outburst is startling. I lie still as the sound launches skyward like a rocket, reaches the stratosphere, then quietly falls back to earth in the form of a quote I once read: Yours is by far the harder lot, but mine is happening to me. In this moment, I miss my mother.”
― Steven Rowley, Lily and the Octopus

“A Complete List of Lily's Nicknames
Silly
Little
Lil
Monkey
Bunny
Bunny Rebbit
Mousse
Tiny Mouse
Goose
Silly Goose
Mongoose
Monster
Monster.com
Peanut
Penuche
Pinochle
Sweet Pea
Walnut
Walnut Brian
Copper Bottom
Crazy
Baby
Puppy
Guppy
Old Lady
Crank
Cranky
Cranky Pants
Squeaky
Squeaky Frome
Tiger
Dingbat
Mush
Mushy Face
Hipster
Slinkster
Slinky
Bean
Dog”
― Steven Rowley, Lily and the Octopus

“Dogs don't remember bad memories.”
― Rowley, Steven

“I put my hand on his forearm, I don't know why I do this, and it's not exactly natural, although it's not unnatural, except that I really want to touch his skin. It's smooth and tan just a little bit and feels like summer, like something familiar and warm and good, like my skin did on the first days aboard 'Fishful Thinking' before it salted and burned and peeled.
'We broke up three years after that.'
I sit back in my chair and give a sly smile. Relationships are complex and sometimes you can't really explain them to an outside party.
'I can't believe I just told you that'
'YES! YOU! ARE! LIVING! YOUR! FULL! LIFE!'
A third time. I am not imagining it.
'There you are.'
This time my heart does skip a beat. I look down at his arm, and we are still touching, and he has made no attempt to retract his arm or retreat. All my surroundings, the red formica table top, the pink yogurt, the blue sky, the green vegetables in the market, they all come alive in vibrant technicolor as the sun peers from behind a cloud. I am living my full life.
'Honesty in all things,' Byron adds, lifting his cup of yogurt for a toast of sorts.
I pull my hand away from him and the instant my hand is back by his side, I miss the warmth of his arm, the warmth of him. Honesty in all things. I should put my hand back, that's where it wants to be, that's Lily's lesson to me. Be present in the moment, give spontaneous affection. I'm suddenly aware I haven't spoken in a bit.
'Did you know that an octopus has three hearts?'
As soon as it comes out of my mouth, I realize I sound like that kid from 'Jerry McGuire.' 'Did you know the human head weighs eight pounds?' I hope my question comes off almost a fraction as endearing.
'No,' Byron says with a glint in his eye that reads as curiosity, at least I hope that it does, but even if it doesn't I'm too into the inertia of the trivia to stop it.
'It's true, one heart called the systemic heart that functions much like the left side of the human heart, distributing blood throughout the heart, then two smaller branchial heart with gills that act like the right side of our hearts to pump the blood back.'
'What made you think of that?'
I smile. It may be entirely inappropriate first date conversation, but at least it doesn't bore me in the telling. I look up at the winsome August sky, marred only by the contrails of a passing jet, and a vaguely dachshund shaped cloud above the horizon. I don't believe in fate. I don't believe in love at first site. I don't believe in angels. I don't believe in heaven and that our loved ones are looking down on us, but the sun is so warm and the breeze is so cool and the company is so perfect and the whole afternoon so intoxicating, ti's hard not to hear Lily's voice dancing in the gentle wind, 'one! month! is Long! Enough TO! BE! SAD!'
...
'I recently lost someone close to me....I don't know, I feel her here today with us, you, me, her, three hearts, like an octopus,' I shrug.
If I were him, I would run. What a ridiculously creepy thing to say. I would run and I would not stop until I was home in my bed with a gallon of ice cream deleting my profile from every dating site I belonged to. Maybe it's because it's not rehearsed, maybe it's because it's as weird a thing to say as it is genuine, maybe it's because this is finally the man for me.
Byron stands and offers me his hand, 'Let's take a walk and you can tell me about her.'
The gentle untying of a shoe lace.
It takes me a minute to decide if I can do this, and I decide that I can, and I throw our yogurt dishes away, and I put my hand in his, and it's soft and warm, and instead of awkward fumbling, our hands clasp together like magnets and metal, like we've been hand-in-hand all along, and we are touching again.
...”
― Steven Rowley, Lily and the Octopus

“There are times when Los Angeles is the most magical city on Earth. When the Santa Ana winds sweep through and the air is warm and so, so clear. When the jacaranda trees bloom in the most brilliant lilac violet. When the ocean sparkles on a warm February day and you're pushing fine grains of sand through your bare toes while the rest of the country is hunkered down under blankets slurping soup. But other times, like when the jacaranda trees drop their blossoms in an eerie purple rain, Los Angeles feels like only a half-formed dream. Like perhaps the city was founded as a strip mall in the early 1970s and has no real reason to exist. An afterthought from the designer of some other, better city. A playground made only for attractive people to eat expensive salads.”
― Steven Rowley, Lily and the Octopus

“We bring champagne to Franklin and Jeffrey, and I offer a final toast, 'Wishing you all good things in your life together.' Short, simple, to the point.
I look at Meredith, relaxed in her ivory gown, my sister is all grown up. I'm grateful we did our growing up together.”
― Steven Rowley, Lily and the Octopus

“We get in the car, and someone signals their blinker for my parking spot but I emphatically wave them away like they're after my soul and not just my parking spot. And so we sit there for twelve minutes until the meter runs out. Lily silently crawls from the passenger seat into my lap and curls up into a little ball. She lets out an enormous sigh.”
― Steven Rowley, Lily and the Octopus

“Cal opens a drawer, pulls out a sketch pad and charcoal and sets them down on a drafting table.
'Let's draw.'
I smile the way I did as a child when receiving a fresh box of 64 Crayola crayons, unabashedly showing all my teeth. I remember how much I used to love to draw, and I wonder why I don't do it anymore. I write, I guess. I draw with words, but when I see Cal's pad and charcoal, I'm overwhelmed with the feeling that it's not the same. I use my words, my artist's charcoal to describe what I'm thinking. He draws with an imperfect fluidity, pausing only occasionally to shade the drawing with his thumb or brush the paper with the back of his hands. He listens and nods and doesn't interrupt. And when I'm done speaking he looks at the drawing, and his eyes get really big. Slowly, he turns his pad around for me to see. My heart stops and then starts.
'Yes,' I say.
It's perfect. Alive with added detail and beautiful Inuit soulfulness I couldn't have even imagined sitting outside in my car. My fear is gone. There's a tingling in my skin, like I can feel the thousand needle pricks to come. I am alive.”
― Steven Rowley, Lily and the Octopus

“I weave through LA's famous Farmers Market, which is really more of an outdoor food court, and now I'm a few minutes late. And the place is packed and there's still the uncertainty about where to meet when I look down and realize I'm wearing yellow pants. Yellow pants. Really? Sometimes I don't know what I'm thinking. They're rolled at the cuff and paired with a navy polo and it looks like maybe I just yacht my yacht, and I'm certain to come off as an asshole.
I thin about canceling, or at least delaying so I can go home and change, but the effort that would require is unappealing, and this date is mostly for distraction. And when I round the last stall--someone selling enormous eggplants, more round than oblong, I see him, casually leaning against a wall, and something inside my body says there you are.
'There you are.'
I don't understand them, these words, because they seem too deep and too soulful to attach to the Farmers Market, this Starbucks or that, a frozen yogurt place, or confusion over where to meet a stranger. They're straining to define a feeling of stunning comfort that drips over me, as if a water balloon burst over my head on the hottest of summer days. My knees don't buckle, my heart doesn't skip, but I'm awash in the warmth of a valium-like hug. Except I haven't taken a Valium. Not since the night of Lily's death. Yet here is this warm hug that makes me feel safe with this person, this Byron the maybe-poet, and I want it to stop. This--whatever this feeling is--can't be a real feeling, this can't be a tangible connection. This is just a man leaning against a stall that sells giant eggplants. But I no longer have time to worry about what this feeling is, whether I should or shouldn't be her, or should or should't be wearing yellow pants, because there are only maybe three perfect seconds where I see him and he has yet to spot me. Three perfect seconds to enjoy the calm that has so long eluded me.
'There you are.'
And then he casually lifts his head and turns my way and uses one foot to push himself off the wall he is leaning agains. We lock eyes and he smiles with recognition and there's a disarming kindness to his face and suddenly I'm standing in front of him.
'There you are.' It comes out of my mouth before I can stop it and it's all I can do to steer the words in a more playfully casual direction so he isn't saddled with the importance I've placed on them. I think it comes off okay, but, as I know from my time at sea, sometimes big ships turn slowly.
Byron chuckles and gives a little pump of his fist. 'YES! IT'S! ALL! HAPPENING! FOR! US!'
I want to stop in my tracks, but I'm already leaning in for a hug, and he comes the rest of the way, and the warm embrace of seeing him standing there is now an actual embrace, and it is no less sincere. He must feel me gripping him tightly, because he asks, 'Is everything okay?'
No. 'Yes, everything is great, it's just...' I play it back in my head what he said, the way in which he said it, and the enthusiasm which only a month had gone silent.
'You reminded me of someone is all.'
'Hopefully in a good way.'
I smile but it takes just a minute to speak. 'In the best possible way.'
I don't break the hug first, but maybe at the same time, this is a step. jenny will be proud. I look in his eyes, which I expect to be brown like Lily's but instead are deep blue like the waters lapping calmly against the outboard sides of 'Fishful Thinking.'
'Is frozen yogurt okay?'
'Frozen yogurt is perfect.”
― Steven Rowley, Lily and the Octopus

“In my twenties, I had another terrible therapist...who concluded that since my mother never says "I love you" (at least not in the same way that other mothers do), there was going to be a limit to my ability to feel love. Love for someone, loved by someone. I was limited. And then on the very last night of my twenties, when I held my new puppy in my arms, I broke down in tears. Because I had fallen in love. Not somewhat in love. Not partly in love. Not in a limited amount. I fell fully in love with a creature I had known for all of nine hours.”
― Steven Rowley, Lily and the Octopus

“With every good memory comes the memory of a mistake. A parallel memory. A darker recollection.”
― Steven Rowley