Mementos Quotes

“I once expected to spend seven years walking around the world on foot. I walked from Mexico to Panama where the road ended before an almost uninhabited swamp called the Choco Colombiano. Even today there is no road. Perhaps it is time for me to resume my wanderings where I left off as a tropical tramp in the slums of Panama. Perhaps like Ambrose Bierce who disappeared in the desert of Sonora I may also disappear. But after being in all mankind it is hard to come to terms with oblivion - not to see hundreds of millions of Chinese with college diplomas come aboard the locomotive of history - not to know if someone has solved the riddle of the universe that baffled Einstein in his futile efforts to make space, time, gravitation and electromagnetism fall into place in a unified field theory - never to experience democracy replacing plutocracy in the military-industrial complex that rules America - never to witness the day foreseen by Tennyson 'when the war-drums no longer and the battle-flags are furled, in the parliament of man, the federation of the world.'

I may disappear leaving behind me no worldly possessions - just a few old socks and love letters, and my windows overlooking Notre-Dame for all of you to enjoy, and my little rag and bone shop of the heart whose motto is 'Be not inhospitable to strangers lest they be angels in disguise.' I may disappear leaving no forwarding address, but for all you know I may still be walking among you on my vagabond journey around the world."

[Shakespeare & Company, archived statement]”
― George Whitman

“[I]n the end this shall be for me sufficient, that a marble stone shall declare that a Queen, having reigned such a time, lived and died a virgin.”
― Elizabeth I, Collected Works

“With the death of my father, it wasn't just the objects of everyday life that had changed; even the most ordinary street scenes had become irreplaceable mementos of a lost world whose every detail figured in the meaning of the whole.”
― Orhan Pamuk, The Museum of Innocence

“What matters is at the end of life, when you're about to pass into oblivion, that you've at least scratched 'Kilroy was here,' on the last wall of the universe.”
― William Faulkner, Lion in the Garden: Interviews with William Faulkner, 1926-1962

“Oh ! Les vieilleries ! Vieilles lettres, vieux vêtements, vieux objets dont on ne veut pas se débarrasser. Comme la Nature a bien compris que, tous les ans, elle doit changer de feuilles, de fleurs, de fruits et de légumes, et faire du fumier avec les souvenirs de son année ! (19 octobre 1906)”
― Jules Renard, The Journal of Jules Renard

“My charge, then, in putting down my pen, and giving over this work to posterity, is this: Take the time. Take the time to preserve the stories, the photographs, the small mementos that mean so much. This is your legacy to future generations. Give it the attention it deserves. Your children and your grandchildren will thank you for it.”
― Laurence Overmire, One Immigrant's Legacy: The Overmyer Family in America, 1751-2009: A Biographical Record of Revolutionary War Veteran Capt. John George Overmire and His Descendants

“There was a little sketch pad with a pink paper cover, a packet of handwritten notes in what looked like my grandmother's handwriting, a silk scarf of water lilies on a blue background, a black fountain pen with an ornate silver hand on it, a book of poems by American poets with a number of pages dog-eared (I made a mental note to see if "Mending Wall" was in there), a magnifying glass with a carved wooden handle, a book called 'Native Flowers of New England' with a ragged cloth binding, another clothbound book called the 'Berry Farmer's Companion', and a stack of twenty faded black-and-white photographs.”
― Mary Simses, The Irresistible Blueberry Bakeshop & Cafe

“A silver hairbrush, old and surely precious, with a little leopard's head for London stamped near the bristles. A white dress, small and pretty, the sort of old-fashioned dress Cassandra had never seen, let alone owned- the girls at school would laugh if she wore such a thing. A bundle of papers tied together with a pale blue ribbon. Cassandra let the bow slip loose between her fingertips and brushed the ends aside to see what lay beneath.
A picture, a black-and-white sketch. The most beautiful woman Cassandra had ever seen, standing beneath a garden arch. No, not an arch, a leafy doorway, the entrance to a tunnel of trees. A maze, she thought suddenly. The strange word came into her mind fully formed.
Scores of little black lines combined like magic to form the picture, and Cassandra wondered what it would feel like to create such a thing. The image was oddly familiar and at first she couldn't think how that could be. Then she realized- the woman looked like someone from a children's book. Like an illustration from an olden-days fairy tale, the maiden who turns into a princess when the handsome prince sees beyond her ratty clothing.”
― Kate Morton, The Forgotten Garden

“She picked through the bits of jewelry, the stud earrings and ruby ring that belonged to their mother, Shirin. There was something almost meditative about this ritual of hers, combing through the photos and small keepsakes, even if she touched on some painful memories. It was as if her fingers were actually tracing the milestones each piece represented.
Her hand closed on a smooth, round object, something resembling a marble egg. It was a miniature bar of lotus soap, still in its wrapper, bought on their last trip to the 'hammam'. The public bathhouse had been a favorite spot of theirs, a place the three of them liked to go to on Thursdays, the day before the Iranian weekend.
Marjan held the soap to her nose. She took a deep breath, inhaling the downy scent of mornings spent washing and scrubbing with rosewater and lotus products. All at once she heard the laughter once again, the giggles of women making the bathing ritual a party more than anything else. The 'hammam' they had attended those last years in Iran was situated near their apartment in central Tehran. Although not as palatial as the turquoise and golden-domed bathhouse of their childhood, it was still a grand building of hot pools and steamy balconies, a place of gossip and laughter.
The women of the neighborhood would gather there weekly to untangle their long hair with tortoiseshell combs and lotus powder, a silky conditioner that left locks gleaming like onyx uncovered. For pocket change, a 'dalak' could be hired by the hour. These bathhouse attendants, matronly and humorous for all their years spent whispering local chatter, would scrub at tired limbs with loofahs and mitts of woven Caspian seaweed. Massages and palm readings accompanied platters of watermelon and hot jasmine tea, the afternoons whiled away with naps and dips in the perfumed aqueducts regulated according to their hot and cold properties.”
― Marsha Mehran, Rosewater and Soda Bread

“It was true. Sugar did treat her bees like next of kin but then again, they were.
Along with her manners, the accent she tried so hard to soften, a single china cup covered in blue daisies and a weathered box of essential oils, they were all she carried with her from her past. Her bees relied on her for shelter and food but she relied on them too. She made her living from their honey, not just the healthful liquid itself but from the salves and gels and tinctures and remedies she created and sold at farm stands or farmers' markets wherever she lived.
It was the most symbiotic of relationships.”
― Sarah-Kate Lynch, The Wedding Bees

“I continue opening boxes.
I find more faded and cracked photographs than I ever want to see.
I find many engraved invitations to the weddings of people who are no longer married.
I find many mass cards from the funerals of people whose faces I no longer remember.
In theory these mementos serve to bring back the moment.
In fact they serve only to make clear how inadequately I appreciated the moment when it was here.
How inadequately I appreciated the moment when it was here is something else I could never afford to see.”
― Joan Didion, Blue Nights

“The photograph of Ibrahim, Eric Mason and Eric's grandson was in a special file Ibrahim kept at home. A file filled with mementos, not too many, all reminding Ibrahim why he loved his job. The file is the only one on Ibrahim's shelves that isn't kept in strict alphabetical order. Because sometimes you had to remember that life wasn't always arranged in alphabetical order, however much you would like it to be.”
― Richard Osman, The Man Who Died Twice