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Meihan Liu
https://www.goodreads.com/meihanl
“Dostoevsky once wrote,” Sartre goes on to say, “‘If God did not exist, everything would be permitted’; and that, for existentialism, is the starting point. Everything is indeed permitted if God does not exist, and man is in consequence
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“Shostakovich read in a shaky voice before breaking off a short way through, leaving a “suave radio baritone” to finish his speech, and decided to expose the sham. Jumping to his feet, Nabokov loudly asked if the composer supported the recent Soviet vilification of his great compatriot Igor Stravinsky. Shostakovich worshipped Stravinsky as a composer, if not always as a man, but he was forced to parrot the official line. To Nabokov, this was proof enough that Shostakovich was “not a free man, but an obedient tool of his government.”
― Moscow Nights: The Van Cliburn Story-How One Man and His Piano Transformed the Cold War
― Moscow Nights: The Van Cliburn Story-How One Man and His Piano Transformed the Cold War

“To go wrong in one's own way is better than to go right in someone else's.”
― Crime and Punishment
― Crime and Punishment

“America fell prey to a hysterical Red Scare, fanned by Senator Joe McCarthy, which sought to expose Communists and fellow travelers in every area of public life, including classical music. In this toxic atmosphere, anything Russian was beyond the pale. One producer at the Voice of America, the nation’s external broadcaster, asked the music library for a recording of a popular piece called “Song of India” and found that the Red baiters had banned it. “It’s by Rimsky-Korsakov,” the librarian explained, “and we’re not supposed to use anything by Russians.”
― Moscow Nights: The Van Cliburn Story-How One Man and His Piano Transformed the Cold War
― Moscow Nights: The Van Cliburn Story-How One Man and His Piano Transformed the Cold War

“Shostakovich was the celebrity witness to the glories of Soviet culture, but the luxury accommodation was no recompense for the humiliation he suffered. At the official press conference, he stood up, his face a “bag of ticks and grimaces,” his eyes downcast behind thick wire-rimmed glasses, and read from a prepared statement, accusing Western “hatemongers” of “preparing world opinion for the transition from cold war to outright war.” In the audience was the Russian-born composer Nicolas Nabokov, who, like his first cousin Vladimir, had fled the revolution and taken U.S. citizenship. Nabokov watched”
― Moscow Nights: The Van Cliburn Story-How One Man and His Piano Transformed the Cold War
― Moscow Nights: The Van Cliburn Story-How One Man and His Piano Transformed the Cold War

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