Brett

“the KLF were a bunch of conceptual pop tricksters who won the hearts of their home country with stunts like recording country singer Tammy Wynette in a rap context. Performing at the prestigious BRIT awards, Extreme Noise Terror blasted the KLF hit “3 a.m. Eternal” into oblivion while the KLF sprayed the audience with machine guns preloaded with blanks. When the KLF were awarded “Best British Group” honors later that night,”
― Ian Christe, Sound of the Beast: The Complete Headbanging History of Heavy Metal

“for instance. “When we say ‘World Domination,’ ” Pavitt explained, “we’re saying, ‘Fuck you, we’re from Seattle, and we don’t care if the media machines are in L.A., we’re going to create our own.”
― Michael Azerrad, Our Band Could Be Your Life: Scenes from the American Indie Underground, 1981-1991

“They developed this influence and this clout and they shared it. It’s a very inclusive movement.”
― Michael Azerrad, Our Band Could Be Your Life: Scenes from the American Indie Underground, 1981-1991

“We were the only band that played with D.R.I. and C.O.C., and then Celtic Frost and Venom. We were doing shit that nobody else was doing, and we didn’t care. I never took myself that seriously.”
― Ian Christe, Sound of the Beast: The Complete Headbanging History of Heavy Metal